The basis of the bronze museums should be the needs of the people in the community

Therefore, the basis of the bronze museums should be the needs of the people in the community, the needs of the audience's needs and interactive. This is the so-called mode of operation based on people (the audience, people in the community). advocate Bronze Museum from the past-oriented into a present or future-oriented institutions. Bronze Museum should be involved in the social changes, as a catalyst for social development, is no longer with the nostalgia institutions. In other words, the development strategy of the new Bronze Museum does not lie in the past what happens, but want to change now, or even create a new future. The late Western Zhou Dynasty began to have inscriptions appeared on the bronze sculpture that are completely carved.
The new bronze museology thought The mid-1960s, the United States must create a community Bronze Museum neighborhood museum, began to attach importance to the community and Bronze Museum related topics. In the middle Warring States, most of the inscriptions on the bronze are engraved.  The early 1970s, the French bronzes in the museum world first proposed the concept of ecological Bronze Museum (ecomuseum) be launched Bronze Museum of the nature, purpose and future development of a warm debate. In the 1980s, the bronzes in the museum world, after the external criticism and introspection, stirring brewing new bronze statue museology (New Museology) currents of thought. Scholars believe that the promotion of new chinese bronze museology.
 Bronze Museum scientist should not be limited to the study of the method of operation of Bronze Museum, but should reflect the rapid development of modern society and the Bronze Museum set the destination to explore the social responsibility of the Bronze Museum. Extending from the internal function of the Bronze Museum of external relations, actively involved in the Bronze Museum and socio-cultural issues in order to open up a new opportunity for Bronze Museum. The three most typical and significant ritual bronze dragon were found in the graves of king of Zhongshan of Han Dynasty. Community Bronze Museum followed the traditional bronze museum concept gives new definition of the functions of the bronze museum, its collection of their own relics of the community-based, retained the collective memory of the residents; the function of the study, while not professional, but through the residents' understanding of their homes, and conserving natural cultural landscape; may show fairly simple, but enough to evoke the memory of a shared community; the promotion of educational activities for community residents the opportunity to interact, providing a place of self-learning.
 If the BCC, usually there are tourist-effective, and become a focal point of community culture and industry opportunity for revitalization. The rise of communitarianism, Bronze Museum and the community should be combined to establish a good interaction between the establishment and operation of the Bronze Museum bronzes in the museum world is becoming an emerging force to become a community movement of the catalyst, community Bronze Museum. This chinese bronze sculpture of Han Dynasty was made of engraving.

Bronze statue feature very largely in the history of world civilization

After long years of sharpening panning, totem worship and witchcraft rituals of the ancient myth, legend and the legend "in the form of saved handed down, which reflects the imagination and ideas of the original ancestors. The ancient Chinese myths and legends of the sequence, the first snake Nu Wa Fu Xi might be able to represent the earliest Chinese ancient culture (the image in "Shan Hai Jing" recorded as "snake faces of the people"). As to the bronze, they are directly related to the politics and army.  The so-called "snake faces of the people" means refers to a large number of ancient clan totems, symbols and signs. Copper bronze sculpture from the Han Yong Chinese and romanticism in the solid ancient bronze sculpture also color pictures 3-1 fairy mural Figure 3-2 P Qianqiu Mubi drawing 3-3 fairy murals in many ancient books classics recorded the ideas and imagination of the complete original state on these images.
These huge snakes is perhaps our original ancestors of the mind to imagine. This image from the period of hunting and fishing continues to civilization can imagine it has the vitality of the powerful. Attract people to worship, go to the fantasy of a fantasy image and wonderful legends, and always so mysterious and unpredictable, spectacular.  bronze statue feature very largely in the history of world civilization.  Another image in the "Book of Mountains and Seas" is also very common, namely Plover in the literature also records rich and determine. Additions and deified as the "Dragon" is exaggerated snake, "wind" is the bird of myth form. They are not realistic objects, but the object of fantasy, the concept of the product and witchcraft ritual totems. Long Feng's image of the derivative in the river of time, throughout the whole process of Chinese civilization (such as the Han Dynasty God Vatan "Suzaku" is a deformation of "phoenix").
Fei Dance "totem banner with a long history in the sediment of the original ancestors of subjective awareness and emotional thinking. It is ideology, symbolic symbols and marks, it is the bud of the primitive aesthetic sense and artistic creation, the budding romanticism of ancient China. "12. Chuhan Romantic wave of Xia, Shang and Zhou Bronze Age in the late ancient China into the Spring and Autumn Period, which is a time of war-torn princes competing to dominate the Central Plains of the Zhou dynasty in the rain Falling into political say that it is an era of disintegration, from literary and artistic sense it is a liberation era, philosophers, one hundred ideological development of our society, civilization, progress, productivity improve, to retain the institutional structure of primitive society early cases the legal system's demise. It is rare to see that so many bronze are extensively employed in a nation.
Here's chinese bronze performance more content to the world of real life certainly bound to break free of traditional Confucianism is the concept of emotion, imagination liberation gradually firm the foundation of the rational spirit in ancient northern China impact of the gradual expansion of the South China is more reservations and remnants of the social structure of the primitive clan, still maintain and development with gorgeous brighter, the ancient tradition. Inner Mongolia handsome range of people learn barium the I. bronze dragon has a close relationship with the production and technology. degree thesis sense of shape to read the field is still diffuse in a a mythological world of the singular imagination and fiery emotional totem. performance in the field of Literary Aesthetics is the Chu culture as represented by Qu Yuan Qu Yuan's works "Lament" and "Heaven" and the entire "Songs of the South" ... constitute a considerable romance system of a prominent Southern culture, full of romantic passion, retain cultural traditions.
 In essence, they are a continuation of the original Chu, ritual dance, only here, only the original vitality, wild Italian thread, Unconstrained imagine Slips of Qin, but in certain aspects of the ideology, especially in the field of literature and art, the early Han also accept part of the Chu culture, the romantic myth is the true nature of the Chu and Han romanticism after the following pre - Qin rational spirit, and a complementary blend of the ancient Chinese ~ great artistic tradition of Taoist philosophy derived from the South Department of Culture, on behalf of to Jing Chuwen into the romantic uninhibited imagination, passionate emotions to express, the unique nature of the pursuit of expression, from the content fresh impetus to continue to provide to the Chinese Arts Development to form the Han Dynasty art, especially in the art of bronze sculpture, the ancient handed down all the myths and stories, themes and subject matter become almost indispensable. Maybe that is one of the reasons that chinese bronze sculpture  are so unique.

The point of the existing chinese bronze sculpture

1944, the "dancers" in 1952 and 1940, 1953, 1954, "acrobat statue, are reflected in Mali Nepalese inherited a long tradition of description of real life in the vase painting  bronze dragon , Etruscan frescoes and Greek culture. In addition to his bronze sculptures, Marini as a painter, he is the author of the graphic works also reveal the same characteristics. Marini works archive center in Florence, collection of Marigny all graphic works of art, of which 180 etching works and 138 lithographs, works of 62 watercolor, egg tempera, or mixed materials. The cradle of the   bronze is located in the middle and lower reaches of the Yellow River and Yangtze River. These works cover the Arts College of Art in Florence from 18 to 70-year-old series of attempts, most of the graphic themes also follows the classical theme, and his bronze sculpture theme. copper bronze sculpture bronze Shanghai University, a master's degree thesis.
Marini inheritance of classical style in addition to the theme, Marini bronze carving art in the style showing the classic characteristics. From the point of the existing  chinese bronze sculpture , the ones of the formative period have the following characteristics. In the development of the arts in the Marigny, his hometown of Etruscan culture and the classical culture of Italy provided him with an important source of style and image. shape characteristics Marini bronze sculptures in the implicit nature of Archaic period bronze eagle monument, created in 1949, the   bronze sculpture statue "Goddess" is aptly reflect this. Dynamic, the body of the goddess to keep consistent in the straight, the slight tilt of the head and has no effect on the straight trend from head to hips, legs naturally before and after the separation of a balanced distribution of the weight of the upper body solid, this symmetry support structure makes the whole dynamic solid "font.
Shaping the body of the goddess be summarized into four side body structure is substantially summarized processing to expand the basic block surface level malleable; proportional relationship reduce the volume of the shoulder and chest, and exaggerated hip volume, while the abdomen upward rise, waist, chest and abdomen between the contractions become weak, thus reinforcing the "people" shaped structure change from the bottom, gradually closing little continuity; on the details of the deal, the two arms of one horizontal and one vertical close to the chest in order to obey the geometric shape of the longitudinal integrity. At the time, copper and    bronze statue are coexisted with the appearance of brass. This in a straight vertical form of treatment is reflected in the Marigny many monomer character modeling.
This is a solid three-dimensional structure to its essential elements emphasized and summarized as the shape of the geometric style, given the characteristics of a monument, at this point, and Egypt 2300 years ago, the upright portrait bronze sculpture (as Figure) similar to the works of Marini always seem dignified, solemn. Viktor France as "Shi Fu Shi coloring BC, 1500 Marigny" goddess "bronze 1949 copper bronze sculpture the bronze Shanghai University, a master's degree thesis Marini as the early 20th century bronze sculpture home, many women Theme has a strong modern, but in the rough style and concise overview of the way, the strict neoclassical style, especially in the Renaissance and the Classical Age of Greece typical specification of the female body is still strong and clear appear in the works. Moreover, the   chinese bronze had fewer varieties and most of them belonged to daily tools.

The texture of bronze dragon creation and appreciation of the significance and value

Its appeal of the emotional texture of the visual or tactile works of art outside art, organic ingredients for the performance of the creation of the main concepts emotional. Therefore, the texture of   bronze dragon creation and appreciation of the significance and value. Of course, the texture of the material for the meaning and value of art is not confined in its own properties, but also because the external projection of the inner reality of the creation or appreciation of the subject, that is, people's aesthetic ideal, aesthetic emotion and character sentiments external projection. Bronze sculpture color and materials, the aesthetic characteristics of materials has its own aesthetic characteristics, and has its own color. Ornate and mysterious decoration is another feature of the    bronze .  Hegel had described in the "aesthetic" marble, "because it is pure white colorless, shiny and moist, especially the organization of its particles and moderate reflective, compared to the white clay-like dead white gypsum superiority.
Indeed, the marble texture and meticulous, well show the human subtle ups and downs and muscle texture and bronze feeling very different.   chinese bronze sculpture home one of the commonly used materials, bronze quality is more the United States, the color is more the United States, the color and reflective the more strong, easy to destroy the serene atmosphere. Perfect and advanced casting techniques are important factors of Chinese    bronze sculpture . "But these characteristics of the bronze is very suitable to express feelings and imaginative themes, especially after air oxidation, the color becomes calm, heavy, mottled, monument bronze sculpture pursuit of permanent ancient, magnificent atmosphere gives a sense of history, more appropriate, however. Many bronze eagle family around the world have used the natural color of the material for creation, and accurately express their own creative ideas.
Japan Hakone bronze sculpture park "the tears of an angel", the clever use of the quiet color of the marble, the white face is made of white marble, tears, his face wet with tears advantage of the quiet color of reddish marble uncanny, like the naturalness of the use of safflower, green leaves as the girl's hair and headdress, has been cut, creating a natural fun, sad girl image. Faced with a variety of urban environment, we have to take into account the material color selection and environmental qualities and bronze sculpture shape is consistent with the materials, which requires us to do Dalian University of Technology Master's degree thesis on the aesthetic features of the existing materials to take full advantage of and insight, mining, material sense of life. Even if necessary, the use of modern technological means to create new material aesthetic features. The    bronze statue have special function in the ancient China.
Bronze sculpture color and material means material the use of means can be divided into two techniques: to respect the intention of the material and color, to enlarge the natural properties of the material: inherent property of a breakthrough material to create a new semantic. Handling of the first, which is as little as possible the transformation of the inherent properties of the materials used to create the implication and the formation of a sense of growth from this material. But here pointed out to "zoom in" so-called amplification, is to emphasize and highlight the nature of the material through artistic means. A cultural system of   chinese bronze has come into being of Chinese traditional features.  A bronze sculptures was selected this material, must have their reasons where the theme needs to consider the selection of materials should be carved from bronze, bronze sculpture of the epidermis should complement each other and with the bronze sculpture of form with the surrounding environment harmony.

In the ancient bronze sculpture creation

Characters the providers Zhou Dynasty in the picture, the realism of the Warring States bronze patterns, figures of the Qin Dynasty brick hunting map, are an extension of such techniques, but the latter become more precise, formal, and the rhythm of it. Thus, the shadow abstraction techniques and exaggerated, the most embodies the Chinese classical art does not re-shape, the pursuit of the Vivid expressive aesthetic ideal. Of the decorative patterns on the bronze of Shang Dynasty, the most notable one is  Animal Mask. In addition, another source - the line of ancient Chinese bronze carving techniques carving, also appeared in the New Bronze Age. Found in Lianyungang, Jiangsu General Cliff bronze carved statue, it is believed that the original ancestors of the end of the new Bronze Age chiseled. This line of engraved bronze sculpture form, in the ancient bronze sculpture creation, the most widely used.
The New Bronze Age bronze sculpture few unearthed, but its style is not simple, is completely different from another world of rock art bronze sculpture. From Liaoning Donggou after the depression of a few sliding bronze sculpture, are carvings villains, the knife seems rough odd humble, simple, vivid image that they are symbolic works. People first bronze sculpture despite performance practices juveniles defects abstract, but the does not mean low carving techniques. Faces of the people, such as the Dasi cultural relief, carved grinding techniques, and its image also has an invisible power of religion. Obviously, the sculptor is their main focus on the creation jade bronze statue on. The patterns on the bronze are characterized by a frontal beast face. Because we have seen many exquisite exquisite jade works, as well as the the Xiaoqing bronze handicrafts in the Hongshan culture and Liangzhu Culture.
Hongshan Culture Jade Dragon is a rare masterpiece, it produced higher hardness Xiuyan, which is a bronze sculpture techniques used in the proof of the jade bronze sculpture creation. As we all know, the ancient carvings, jade and chinese bronze material is difficult to distinguish between the experts and collectors classification criteria, only relative views. The most prominent feature of Chinese bronzerests with the decorations. But one thing we can confirm that, in the Bronze Age and the Bronze Age, the ancient sculptor jade and bronze are equally treated, so we in the Hongshan culture and North yin and yang business culture, see the coexistence of five carved Fish bronze pendant, the Yuhua bronze decorations. The original artist, on the other hand, also their skills are widely used in the field of practical apparatus for processing, the production of bronze pestle, bronze mortar, grinding disc, and a variety of bronze tools, also used for carved bronze Room type, the mass graves and bronze coffin .
Especially the latter, in the history of ancient Chinese architectural art bronze dragon of a very important position. Found in Haicheng, Liaoning Bronze Age Late Bronze shed is one of the masterpieces. Late in the Old Bronze Age, the giant bronze construction is a simple combination of natural giant bronze but this restless, it is calm and strong, is a product of people detached from the earth, the original giant bronze worship. It was prevalent in the Eurasian steppe, spread to the East Asian continent, no country into the era of civilization, and its remains can still be found in the border area. The bronze has lost its original beautiful yellow color due to the long-term burial underground.  Bronze shed in the form of the Liaoning waters, the bronze plate has been carved into a regular geometry, artificial force to be strengthened, the forces of nature and the religious spirit is clearly weakened. It is the end of the construction of the giant bronze. It argues chinese bronze sculpture shed building, it is believed that the tombs.

The ancient buildings of brick bronze structure

Large component rotten hollow, available unsaturated polyester resins and other polymer materials perfusion reinforcement, replacement of rotten serious according to the original system. The ancient buildings of brick bronze structure, the overall distortion flash, you should first fixed point, periodic observations by reinforcing stability, do not do ground treatment. Cracks can be used hoop grouting reinforcement, masonry incomplete tick fill, such as the tick can not fill the partial or complete demolition and AS re-assemble. From the existing material point, the bronze has the following characteristics. Bronze Cave Temple mountain fissures, spray rivet reinforcement or grouting reinforcement, seepage leaks to ease closure. The bronze sculpture, bronze engraved bronze sculpture quality heritage surface weathering of silicone polymer material closure care.
The restoration of ancient buildings, to do can small repair overhaul, partial demolition of the drop is not all demolition down, keeping the original components in order to preserve the ancient buildings of historical value. So, the decorations on the bronze of this period is simple and plain. Ancient buildings with carved animal pieces of tile, wood carvings, brick carvings, bronze sculpture art components, careful handling, as far as possible not to change or less change. Statues, murals, painting and other ancillary works of art, not at liberty to fix it. Moveable cultural restoration, can be taken to the method of combining traditional skills with modern technology, rust damage, such as bronze statue, the available machinery to take in addition to or with the electrolytic reduction method removed; bamboo lacquer dehydration, available natural drying method, or with alcohol Baptist ether linked, frozen sublimation polymer materials penetrate polymerization; mutilated paintings and more exposing mounted repair.
 Modern books available mesh reinforcement; ancient silk screen silk available fumigation sterilization; fragile textiles can be used mesh reinforcement or traditional mounting methods of reinforcement; ceramics fracture using polymer materials such as shellac or epoxy adhesive. Conservation in the new materials, new processes must ensure that no damage to the historical value, including the heritage shape, material, color, intensity, but also reversible. The new materials used in the maintenance of the ancient building components shall also comply with can only strengthen the principle can not be replaced. The main categories of chinese bronze at that stage were ding, hu, xi, mirror, hook, sly, dou, iron, Boshan censer, candle holder and so on.
The detection technique is mainly used for the detection of the heritage traces of mutilation, the texture structure analysis of the chemical composition and age determination. The inscriptions on the bronzeinclined to be simple, primarily related to the annals of the device. Commonly used X-ray, ultrasonic flaw detection; texture structure analysis of commonly used electron microscope, metallurgical microscope observation; relics of the chemical ingredients commonly used in spectroscopy, mass spectrometry; blurred, show the contrast of very small ink painting can take infrared photography ; wood and other carbonaceous material available carbon-14 dating; ceramic tile available thermoluminescence dating.
bronze dragon quality heritage conservation technology. Preservation Techniques of Stone, the Cultural Relics quality bronze cultural relics by the sunshine, water erosion, earthquakes and other natural forces, but the role and the impact of environmental pollution, climate change and other factors occur chalking, discoloration, mildew, since A, flaky base, split crack, eclipse empty condensate paste, collapse, overturning failure pattern. A great quantity of excellent bronze emerged in this time, not a few of them are hailed as the classic works in the history of Chinese bronze and craft. chinese bronze sculpture Cave Temple protection technology should first investigate the disease. Investigative work in the following steps: Mapping topographic maps, Cave District, floor plans, elevations, vertical and horizontal profile and so on. Mapping methods have the odolite traverse survey control network measurement, a small flat-panel measurements.

This bronze is very rare

Organizations planning to participate in a variety of non-material basis for community identity and cultural preservation activities. Non-material cultural heritage, the heritage of the principal to create the propagation conditions, educate the public to understand the meaning and value of the intangible cultural heritage, make the whole society to form a conscious attention to the good atmosphere of the survival and development of intangible cultural heritage. This is the most effective method of non-material cultural heritage protection. This bronze is very rare. The root of the intangible cultural heritage in folk expression in distinct regional grassroots level, intangible cultural heritage and the uniqueness of roots bronze museum will have a broader space to play. Foshan Museum of Bronze Temple hospital in the national key cultural relics protection units.
Temple is the place where most of Pak Tai, Foshan area places of worship and folk activities in the Ming and Qing Dynasties, has a very deep non-material cultural heritage. Temple both carry out the protection of intangible cultural heritage and cultural background, we protect the activities of the "cultural space". ", March 3, Pak Tai Festival" is a spread for hundreds of years of folk activities, many of which are of positive significance to interrupt, but after the founding of many years. Although some inscriptions on the bronze sculpture looked strange to Song Jinjian, but he still read to the effect. Foshan Museum of bronze in 2005 and actively organize planning, March 3 Pak Tai Festival folk activities finally restored, and the annual Lunar New Year, March 3, grand folk activities.
In 2006, Guangdong's first batch of intangible cultural heritage on behalf of the directory. Beginning Ceremony "- is also held in the Confucius Temple in Temple, a long history of respecting teachers excellent traditional cultural activities. bronze statue belongs in Foshan, Wong Fei-hung Lions tradition is China's first batch of the Intangible Cultural Heritage List of the "Lion Dance". Inscriptions of this bronze recorded the situation that the King of Zhou granted Yu spiced wine, dresses, chariots and slaves for the purpose of sacrifice. The Lions team is a solid foundation, highly skilled, multiple award-winning lion dance competition at home and abroad. Like this work, Foshan Museum of chinese bronze carried out very much, very good social effects. Use of its advantages, these people involved in a strong variety of activities to promote and inspire the community attention and protection of intangible cultural heritage awareness and create a good social environment for these excellent traditional cultural heritage and development.
It can be said that the Bronze Museum in Foshan experience all primary bronze dragon is worth learning, that is, full use of local resources and opportunities to explore the region's intangible cultural heritage. Shanghai - a folk art and craft home carving techniques. Art of folk sculpture, bronze sculpture and wood carving homologous. The later generations call this ding Yu Ding or Da Yu Ding in that it is Yu cast this ding, a valuable of bronze.  The bronze sculpture and wood carving, the same surface relief or hollow; basically the same process, but carved different materials and carving tools, techniques are different. Wang root Shanghai chinese bronze sculpture is developed from the traditional wood carving on the Nanhui district. College Town is located in the eastern edge of the alluvial plain of the Yangtze River Delta, located in the southeast of Nanhui District, Hai Yu, east of the East China Sea, south Hangzhou Bay.