The point of the existing chinese bronze sculpture

1944, the "dancers" in 1952 and 1940, 1953, 1954, "acrobat statue, are reflected in Mali Nepalese inherited a long tradition of description of real life in the vase painting  bronze dragon , Etruscan frescoes and Greek culture. In addition to his bronze sculptures, Marini as a painter, he is the author of the graphic works also reveal the same characteristics. Marini works archive center in Florence, collection of Marigny all graphic works of art, of which 180 etching works and 138 lithographs, works of 62 watercolor, egg tempera, or mixed materials. The cradle of the   bronze is located in the middle and lower reaches of the Yellow River and Yangtze River. These works cover the Arts College of Art in Florence from 18 to 70-year-old series of attempts, most of the graphic themes also follows the classical theme, and his bronze sculpture theme. copper bronze sculpture bronze Shanghai University, a master's degree thesis.
Marini inheritance of classical style in addition to the theme, Marini bronze carving art in the style showing the classic characteristics. From the point of the existing  chinese bronze sculpture , the ones of the formative period have the following characteristics. In the development of the arts in the Marigny, his hometown of Etruscan culture and the classical culture of Italy provided him with an important source of style and image. shape characteristics Marini bronze sculptures in the implicit nature of Archaic period bronze eagle monument, created in 1949, the   bronze sculpture statue "Goddess" is aptly reflect this. Dynamic, the body of the goddess to keep consistent in the straight, the slight tilt of the head and has no effect on the straight trend from head to hips, legs naturally before and after the separation of a balanced distribution of the weight of the upper body solid, this symmetry support structure makes the whole dynamic solid "font.
Shaping the body of the goddess be summarized into four side body structure is substantially summarized processing to expand the basic block surface level malleable; proportional relationship reduce the volume of the shoulder and chest, and exaggerated hip volume, while the abdomen upward rise, waist, chest and abdomen between the contractions become weak, thus reinforcing the "people" shaped structure change from the bottom, gradually closing little continuity; on the details of the deal, the two arms of one horizontal and one vertical close to the chest in order to obey the geometric shape of the longitudinal integrity. At the time, copper and    bronze statue are coexisted with the appearance of brass. This in a straight vertical form of treatment is reflected in the Marigny many monomer character modeling.
This is a solid three-dimensional structure to its essential elements emphasized and summarized as the shape of the geometric style, given the characteristics of a monument, at this point, and Egypt 2300 years ago, the upright portrait bronze sculpture (as Figure) similar to the works of Marini always seem dignified, solemn. Viktor France as "Shi Fu Shi coloring BC, 1500 Marigny" goddess "bronze 1949 copper bronze sculpture the bronze Shanghai University, a master's degree thesis Marini as the early 20th century bronze sculpture home, many women Theme has a strong modern, but in the rough style and concise overview of the way, the strict neoclassical style, especially in the Renaissance and the Classical Age of Greece typical specification of the female body is still strong and clear appear in the works. Moreover, the   chinese bronze had fewer varieties and most of them belonged to daily tools.