Therefore, the basis of the bronze museums should be the needs of the people in the community, the needs of the audience's needs and interactive. This is the so-called mode of operation based on people (the audience, people in the community). advocate Bronze Museum from the past-oriented into a present or future-oriented institutions. Bronze Museum should be involved in the social changes, as a catalyst for social development, is no longer with the nostalgia institutions. In other words, the development strategy of the new Bronze Museum does not lie in the past what happens, but want to change now, or even create a new future. The late Western Zhou Dynasty began to have inscriptions appeared on the bronze sculpture that are completely carved.
The new bronze museology thought The mid-1960s, the United States must create a community Bronze Museum neighborhood museum, began to attach importance to the community and Bronze Museum related topics. In the middle Warring States, most of the inscriptions on the bronze are engraved. The early 1970s, the French bronzes in the museum world first proposed the concept of ecological Bronze Museum (ecomuseum) be launched Bronze Museum of the nature, purpose and future development of a warm debate. In the 1980s, the bronzes in the museum world, after the external criticism and introspection, stirring brewing new bronze statue museology (New Museology) currents of thought. Scholars believe that the promotion of new chinese bronze museology.
Bronze Museum scientist should not be limited to the study of the method of operation of Bronze Museum, but should reflect the rapid development of modern society and the Bronze Museum set the destination to explore the social responsibility of the Bronze Museum. Extending from the internal function of the Bronze Museum of external relations, actively involved in the Bronze Museum and socio-cultural issues in order to open up a new opportunity for Bronze Museum. The three most typical and significant ritual bronze dragon were found in the graves of king of Zhongshan of Han Dynasty. Community Bronze Museum followed the traditional bronze museum concept gives new definition of the functions of the bronze museum, its collection of their own relics of the community-based, retained the collective memory of the residents; the function of the study, while not professional, but through the residents' understanding of their homes, and conserving natural cultural landscape; may show fairly simple, but enough to evoke the memory of a shared community; the promotion of educational activities for community residents the opportunity to interact, providing a place of self-learning.
If the BCC, usually there are tourist-effective, and become a focal point of community culture and industry opportunity for revitalization. The rise of communitarianism, Bronze Museum and the community should be combined to establish a good interaction between the establishment and operation of the Bronze Museum bronzes in the museum world is becoming an emerging force to become a community movement of the catalyst, community Bronze Museum. This chinese bronze sculpture of Han Dynasty was made of engraving.
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