The chinese bronze with a lid is very rare

Tamana, Kumamoto Prefecture, Kyushu, Japan, county Lan water-cho, Eda Chuanshan tomb, he found that the Japanese sword, engraved with inscriptions of Chinese characters and Japanese scholars believe that this is a relic of the mid-fifth century, about China's Southern and Northern Dynasties era. Zhebing knife found to prove that the Chinese bronze sword knife Japan, has been extended to the three countries. Ding, a common bronze generally has a round bowl with three legs and two handles at each side by the name of ears.  Mr. Ono wins Japanese archaeologists said, the famous Japanese are positions in the courtyard, still preserved many ancient Chinese bronze sword knife; offer material account is also credited Tang sword, "Tang knife "and other names. The so-called "Tang sword" shall mean the street prevalent in the Tang Dynasty military knife, this knife style is no longer a physical license in China, only the Japanese House position also holds a few handle the Tang Dynasty in kind.
 These have proved that Chinese bronze sword knife Japan is a long history, at least until the Tang Dynasty, the Chinese bronze sword knife continues introduced into Japan. As early as the Qin and Han era, there are a large number of Chinese people moved through the Korean Peninsula to Japan, they will come together to become part of the Japanese nation, many contributions to the development of Japanese culture. There also are variations of four-legged square bronze. According to the ancient literature of Japan "Xionglue Discipline", "Shoki" the record, the Han Dynasty of mainland immigrants are often in their manual skills are divided into the Ministry of China, such as hand man the Ministry, clothing seam Ministry, Saddle, painting section, Kam Ministry Tao Ministry of Ministry of China to Japan to bring a variety of manual skills, by the Japanese government and the public attention.
 Do not malleable metal craftsmen moved to Japan records, but there are weapons makers such as Yuge, Yahagi, to be sure, the Chinese bronze sword, knife forging process must be introduced into Japan. Wei era, the northern Chinese soldiers torn, together with all ethnic groups in the regime by force each other predatory annexation of peoples to the brutal rule, forcing many people involved in the sea moved to Japan, these immigrants also according to their skills divided into the Ministry of China . There are other forms of round or square flat feet bronze with or without the lids. This period, the traditional Korean Peninsula route was blocked, the exchanges between Japan and China turned to Southern, so the Southern culture have a significant impact on Japan. Spring and Autumn since in southern China, especially the Wu Yue region, fine bronze sword knife malleable process known world.
 While the long bronze sword martial arts of the Chu unmatched within the four seas, enduring until the Han Dynasty or "odd material bronze swordsman" hotbed. I believe these are likely as the continued development of the relations of Japan and the Southern introduced into Japan. Sui and Tang dynasties, Sui to make and removal of the Tang Dynasty, is the climax of the Sino-Japanese cultural exchanges. Nowadays, the chinese bronze with a lid is very rare. At that time, Japan each sent removal of members of the Tang missions, in addition to officials at all levels, as well as a variety of professionals, of which there is always the total number of nearly half of the "shooter", the actual mission of the guard warrior; "forging students "and" cast of Health. Staffing in order to prevent the ship drifting in distress into Tang must be in this profession learned a lot, and back to Japan.

The chinese bronze manufacturing industry to an unprecedented degree

He is not particularly valued, means that he began to take on the revenge of the mission, ready to sacrifice themselves, but also means that he has a hot cold personality. Ancient Chinese warrior, can be divided into two types: one is employed by the warrior, they employed a dedicated, long-term care a lot like the Warring States period, the four the son Mengchang Xinling disabilities. These "persons" usually suffered by the owner of the variety of grace, and last, the main people to do everything, including the expense of their own. The so-called "who has been known to die," is one such situation. The large scale and quantity of bronze that had been equivalent of or exceeded the emperor of Zhou resulted in the what Confucius lamented. This is a kind of paladin, his master is a person, to contribute to the grief of a master. In addition there is a class of paladin, so-called "commoner Man", they do not raise others. Them has its own independent identity.
 Commoner Man "Mohist relationship is very close, they Virtue is a jewel, willing self-sacrifice, which is the so-called" Original Man ". On them, reflecting a more noble spirit of chivalry, black people can say that is one full of the spirit of the original Man paladin. Most of the length of the cast bronze sword, is the black Meijianchi not revenge, take the initiative to stir up the burden, with a bronze sword and head a mission of revenge to the tyrant. The slave-owning aristocracy and political system centered on the bronze began to collapse. Lu Xun these ideas to the original legend inside are missing or less obvious, greatly to move forward, be highlighted. In this sense, said, "Cast Bronze Sword" is a new literary works, but can be seen as a modern martial arts novels. I do not know can see, the students will approve or not, we can discuss.
 I say "cast bronze sword" is not only a new literary works, but also a modern martial arts, because it does have the characteristics of the general martial arts. It is written, the story of revenge by the chivalrous man. The reason why the martial arts called martial arts, in general, its content is the sense of justice Xia Bank, battle Wu Hangxia This is the most important features of the martial arts content. The cast bronze sword as well. Of course, black people do not just "war weapons", he also used the wisdom. The inevitable result was pushed forward by the advanced productive force represented by bronze.  He was able to eradication of the tyrants, and he die, that is, by his formidable sword of bronze Arts and extraordinary wisdom. It can be said to rely on the wisdom and courage, the desire for revenge.
Yan absurd solemn vengeance are drama - the interpretation of Lu Xun "cast bronze sword and a very strange work. The above is strange at first point of the cast bronze sword ". It is reflected in the art, cast bronze sword has a strange imagination. Compared with other types of fiction, such as detective novels, science fiction, romantic novels, historical novels, comic novels in the martial arts features in addition to the different subjects and content, is extraordinary, unusual, rich imagination. It was a powerful vassal state and a strong nation with sufficient bronze.  Cast bronze sword in this regard can be said to be very prominent. Column differences in the original account of the story is very simple: First off the head of the red nose and bronze swords, and later the king's head off, and then off his own head off, three head together boiled, and to here the story is finished.
 But in cast bronze sword ", is almost completely different. Single Meijianchi pull bronze sword treasure bronze sword and head to the black people commit suicide to this episode, it is written in a very impressive. Lu Xun's use of a very succinct words, poetic portrait of a one touching scene: First, the wolves, wolves suddenly Meijianchi body torn to pieces. Then, they have to bite the black people, black people play the bronze sword suddenly cut down the biggest one Langtou wolves again this dead wolf to eat. However, it was the Qin that ran the chinese bronze manufacturing industry to an unprecedented degree. The author wrote very succinct few words, but that scene was shaken. Then, Lu Xun wrote that black people singing Advantage into the capital, and then enter the castle.

The Department of bronze swords distributed in Nanjing to Zhenjiang and southern Anhui

Began casting inscriptions, such a style more common in the Yue bronze sword. Two flat stem bronze sword is Wuyue one of the early Bronze Sword. Basically a thin grid, flat stems, often preceding flat rear section near the first place thicker oval or cylindrical, after the disc "Zhenjiang Museum Shang and Zhou bronze", Southeast Culture 1 Xiaomeng Long: 5 of 1988 . (2) Yun Peng: "Shaoxing Yue bronze sword unearthed and its evolution", southeast of Culture "in 1992 2. Jiangsu Wuxian unearthed a number of the Zhou Dynasty Bronze Sword "," archaeological Ye Yuqi: 1986 4. The Li Guoliang: "Tunxi mound tomb excavation report, Anhui People's Publishing House, 2006. From time to time, he sent to tangle with the Pans, using gentle methods and force and trying to glom on to the bronze.
The cited Li Boqian: Shang and Zhou bronze swords lineage microcosm "," Chinese cultural system of bronze structure Science Press, 1998. , Less Ge, spears and other weapons as early as the Neolithic had stone bell: "On the flat stem bronze sword" Archaeology ", type 2, 1992, Some scholars believe that the late Neolithic northwest and northeast bone dagger found stone blades northern popular flat stem bronze sword predecessor, but there is no evidence that the origin of the bronze swords of Wu and Yue dagger and these areas. He commanded peopled to safeguard the bronze day and night in case of emergency. We speculate been popular for its direct progenitor type is probably the Western Zhou Dynasty before the spear. Early Bronze Sword directly absorb the advanced technology of the manufacture of spears and other weapons, and therefore performance of its early shape.
 yellow Shuigen: "Wu city ruins unearthed in the Shang Dynasty bronze ax bronze sword," Southern Heritage "in 2004 2. Nan Yang mound tomb from the south, northward spread. See Nan Yang: "Jiangnan mound remains of" Ethnic Publishing House in 1998. The beginning of the origin and development of the 118 Wu and Yue-style bronze sword Theory like plain. The Department of bronze swords distributed in Nanjing to Zhenjiang and southern Anhui, bronze Jianji characteristics can be divided into two categories. However, Pan Zunian bear in mind his brother’s words about the bronze and was not moved by Duan’s temptation and threaten.  Class I bronze sword from the ridge line, on the 8th bronze sword in Changxing, introduce us to new pass 30.2 cm long, 8.5 cm long stem bronze blade at its widest point 3 cm. Similarly bronze sword Gaochun road bronze sword, a long pass 30 cm, stems 6.7 cm long, flat ridge, oval stem.
 The Huashan mound tomb the bronze sword long stem length 9.8 cm, ridge coarse. The tomb of the same bronze chisel a 26 proto-porcelain's Jiangsu the Lishui one mound tomb out a residual long-Western Zhou Dynasty late early stage. 34.3 cm, stem length and 8.4 cm, body width of 3.2 cm, the same Ge, spears one each and a number of pottery and original porcelain. The type of bronze sword belongs to the circular bronze sword basic plain surface. Ancient Chinese bronze is one category of the ancient cultural relic of China with a great variety and a huge number.  Changxing on the 7th bronze sword of chinese bronze of the class II, 33.4 cm long stem length 8.9 cm, body width of 3.5 cm, stems attached to the ears, jewelry two Xianwen; the Wuxian II type, stem length of 9.3 cm, body widest 4.3 cm stems decorated with a 39.5 cm long, ring flat hoop; the Wuxian III type, 41 cm long and 9.3 cm stem length, body width 3.9 cm, oval stem, the middle coarse.

Textual criticisms and explanations to two chinese bronze with inscriptions

Nanyang Road hub inscriptions. "the world is the basic spirit of the Chinese culture, traditional Confucianism specific to a value orientation." Si Ku Quan Shu Head ": the sage of science," Lord Ming can not be seen in practical use to achieve any, are the Zhiyan Shu readers know Zhiyuan by side, with a view to useful learning. "stressed on the World that reflects the value orientation of scholars. After two thousand years this bronze gui seems to tell us its past glory and the historical transformation. The Real truly reflect the intellectual elite of the feudal the Saatchi period generation of social reality and people's livelihood, the weight of the positive cultural mentality. criticism useless, Song learn Kongshu, do not cut personnel, keen Mind talk, emphasis on introspective self-study, all the people's livelihood, "are regarded as the end of the Service As a result, "He is a catchy title, that In fact, disaster eventually the damage to China.
From the academic value. The philology value. The accompanying book by Tiba study inscriptions: inscriptions is ancient version CANGSANG directory school, Textual Criticism Readings There have been many inscriptions, handed down in this version of the book, made a summary of discourse. For example, by the Ministry of class "Book" Book Commentary weeks have the content, author, version, the line models, paper and ink, passing the title Book of Changes justice "Postscript, annotation and interpretation. November 15, 2006, a bronze recently was discovered in Fufeng County, Shaanxi Province. To study the Book of Changes "This is the literature value. , Tiba is also a study of political history, intellectual history, academic history references. Value of academic history. Tiba research, writing colophons. Glockenspiel copper bronze sword floor in the collection of inscriptions on many occasions during the Qing dynasty's private collection catalog.
The County fasting reading records, "such as straight vegetarian books recorded solving many collectors also, the" iron "Postscript Huang Pi-strong, Qi Gu wide, school Postscript Inscription. These inscriptions, inscriptions can be used to study the academic standards of the Qing Dynasty version of the bibliographer, academic orientation and personal thoughts. From the inscriptions "Overview of the Qing Dynasty academic tendency and influence. In this place unearthed over a hundred pieces of Western Zhou bronze. Qing Dynasty's private books and has published extensively, textual vogue. Not only a comprehensive collation and study of traditional Confucian classics, but also on the traditional cultural classics of the philosophers, the history of the Department, the wider set of the Ministry of the clean-up, a broad array of Classical Books Quweicunzhen get to the root work, many beyond recognition, long-Sanyi.
The authenticity of the mixed literature recovered really are, so many obscure esoteric books generally available for reading research and provides a more informative and credible information for later researchers. Extensive use of modern scholars of the Qing Dynasty textual results and methods of textual criticism and learn from full textual criticism has a strong scientific and vitality. Qing Dynasty Textual scholarship spirit of seeking truth from facts, the suspected negative critical spirit, the courage to go beyond the creative spirit of our predecessors, and academic norms against plagiarism, still has practical significance for us today in academic research. Through textual criticisms and explanations to two chinese bronze with inscriptions, the experts deemed that the up to 110 words of the inscription.  As Liang Qichao said: Textual Criticism and until today have not yet bankrupt, "and go to other areas and a variety of social sciences will be an impact." Summary "Kai A the Yangcheng first blog, but dare not, or can be maintained.

The bronze drums and bronze encouraged by the cultural relics of the Bronze Age and development

Be seen that the bronze drum itself deep "pattern" on the imprint of the farming culture, the combination of the Zhuang people of faith and wisdom to support the livelihoods of farming and retain the customs of the ancient music and dance, the memorial of bronze culture remains down bronze encouraged to become love filling the ancient and modern dance forms. The bronze drums and bronze encouraged by the cultural relics of the Bronze Age and development. Besides the empty cone-shaped feet, there were T-shaped bronze whose bottom more protruded out. The bronze drum, as the name suggests, whole body cast in bronze, the shape of the circle to sit pier, in the empty end of the drum waist inward song to shrink, the rim, there are four "ears" to the drum body is hanging up the beat. Drum handheld dual-hammer, the right hand play the drums heart, left hand tapping the rim with both hands with the beat; another person to hold the barrel behind the drum when it is near far swinging, to make the drums more wonderful.
Folk dance culture tutorial) through changing times and social development, the bronze encouraging this cultural connotations still retains to this day, the Zhuang people during the feast, worship, worship, praying in song and dance performances, whether it is holding drum for dance or drum dance, even when dancing with drum accompaniment of drums, these are every moment to tell us drum in the importance of national culture and it contains a profound meaning. China is a multi-ethnic state in the nation's big family, multiethnic, inhabited by many living staggered. Chinese folk dance is not dedicated to various ethnic groups dance forms, its blend of phenomena from the status of national distribution, and Zhuang have a common language system and the national faith of the nation, due to inter-ethnic inter-regional cross-national cross- integration of the cultural characteristics of the Zhuang into the system because of national integration and has a distinctive regional characteristics. In general tombs of some slave owner aristocrat were normally one bronze and one jue and a few more in the tombs of people with slight higher ranks.
The Zhuang bronze encouraged continuous development in the clan contacts, and extended multiply the original dance remains of the characteristics of the ancient culture in its psychological and physiological aspects of body morphology demeanor special "symbol" handed down to become the nation unique things, the people are direct communicators learners and innovators in a particular environment and background, the hearts of common emotional support and a common style of faith in the understanding of cultural affirmation and recognition will survival of the fittest select the "taste" in the form of inheritance and dissemination: "the public in a sense is also a performer, he double participate in the performance, on the one hand, its a great deal of attention, with its extraordinary enthusiasm and excited to assist in the performance of works. Despite the emergence of the zun (wine vessel) with large mouth and broad shoulder in the early times, this bronze had developed greatly.
On the other hand, his efforts to adjust the angle of the status and perception to exile abstract concepts and rational study and understanding of the works, the perception of emotional work required by the 'witness'. ", bronze encouraging deep cultural connotations, is closely related to their cultural background and geographical background. The grand and magnificent bronze statue like the dragon and tiger zun and one with animal mask had never appeared in the early Shang Dynasty. Zhuang is China's most populous ethnic group, mainly distributed in Guangxi, Yunnan, Guangdong and Guizhou provinces, and the Zhuang, Han, Yao, Miao, Dong, Mulam, Maonan, Dai multiethnic integration in the national faith, life habits and other aspects similar to. Most of which Zhuang live in Guangxi Province, south of Beibu Gulf, Southeast Asia, the southwest and adjacent to Vietnam, Caroline Hill, Guangdong, Guizhou Congjiang and Hunan Jianghua distribution Zhuang.

Legends handed down about the bronze

Jiangxi bronze drum is my second home, primary and secondary schools is spent there. It is located in a small mountain town in northern Jiangxi, Hunan Liuyang junction of Mao Zedong, who led the Autumn Harvest Uprising, was a red land. From aromatic Creek, Yifeng enter the bronze drum, winding cement road between the mountains, sometimes uphill and sometimes downhill, the road is not spacious, there are only two lanes, but extremely clean. Unless passing through the village, almost invisible shadows, silent great. There are many touching stories and legends handed down about the bronze.  On both sides of the road planted with tall trees of the unknown, lush trees endlessly rising peaks of the mountains covered with a beautiful coat. In the car to the accompaniment of the music of English songs, as if to go abroad sparsely populated places, like to come to the paradise on earth.
Guangdong too noisy, then there is such a quiet place, is really a happy thing. With the dragonfly stretch of the highway, we see a crystal clear river flows quietly, Lu accompanied mountainside has been along the riverbank, Yan Shen forward going against the river, sometimes branches stretching from the hillside on a car window, pro- ask your face. The technique to cast bronze in Wu state of the Spring and Autumn period has reached the peak of perfection. The other side of the river is a dense bamboo forest, bamboo leaves dearly thick next. The bamboo forest in the distance is the dark green of the rolling mountains. On both sides of the road sporadically dotted with some of the farmhouse can sometimes be seen a suspension bridge, sometimes visible to a small plot of paddy field. Strong rural labor to the developed areas to work at, bit achievements of farmers children to bring out the mountains, leaving only the love of the land of the elderly, the mountains from even more lonely.
 I deeply so that the natural scenery attracted the cool wind brought the sweet air, I greedily inhaling. Wake up from no principles, only to hear the birds chirp came from the forest. The large arch to see the bronze drum, bronze drum circles. Turned eighteen S-shaped sharp turn before entering the outskirts of the bronze drum county. The celebrated casters of bronze are Gan Jiang, Mo Ye, Ou Yezi, ect. Building scale requirements. Many foreign drivers are afraid to take the bronze drum, mountain bend more and more narrow roads and slope. I only open straight road, in the charming scenery intoxicated, my car and the mountains to a bitter kiss me The front of the right front of the injury is not shallow. I regret that because of greed and sex and hurt my car. Later found to enter a right angle turn and downhill, but did not find the traffic signs. Later, listening to his brother, said his unit's vehicle is also the place to kiss.
Congjiang head to the county is a very beautiful way, the Routeburn straight, the road through the tall trees on both sides. Sparsely populated, very quiet. The noted sword, one kind of bronze have Yu Chang, Chun Jun, Sheng Ye, Zhan Lu, Ju Que, Pan Ying and so on. Sometimes you have a misconception, as if to the Lijiang River in Guilin. On both sides of the river, smoke confused the landscape of the mountain of rock melting, allowing you to expand the wings of imagination, look at it like what is what. Sha Chau wind tail bamboo swaying, translucent translucent river flows slowly, returning to cobblestone presented in front of the round gray and black, like an eccentric wizard. It was a wonderland of the world. The bronze drum is a very small county. Outsiders say the effort of a cigarette can finish the bronze drum street, a child we often sing a ballad: "Xiaoqing Tonggu County, three tofu shop, in town to play the ass, outside the city to listen to see." By Therefore the small of the chinese bronze county.

Different social status also determines the sizes of the chinese bronze

Clear pattern of psalteries and blowing lines to reproduce the play 100 performances a scene, and "Salt and Iron - loose less than contained in this three hundred five music of the rich, the number of songs Cao in by Ming taro The tone of Joseph, Zheng Ou dance Zhao, "exactly the same. Dragon decoration, the Han Dynasty as a four-Dragon long Huanglong. Account of the Han Dynasty book on Huanglong, especially featuring the Han to the Southern the early years of good fortune, legend of the "Song book. Fu Ruizhi "more said: Huanglong by four dragons the length is not glistening pool and fisheries, Germany to Yuan Quan, is Huanglong swim in the pool. Can be energy-under, can be thin can be large, can be quiet can be deep, can be short can grow , Chad kept Chad death "will be such a magical wand, changing the Huanglong image into the mirror, thought to throw into confusion the disaster in addition to the curse of the amulet Rui is very natural. A senior figure in a community can account for the largest numbers of the bronzeand most categories.
The Turtle tour lotus "in the turtle is an auspicious animal turtle. The Han Dynasty turtle longevity fetish. "Historical Records. The turtles policy Biography: "turtle Chitose is above the swim lotus." Song Book. Character Ruizhi ":" turtle by turtle and also King Deese Zhan Qing, fishing and hunting the mountains from the time out, colored and distinctive, three hundred years old travel three thousand regular tour of the Word above the top of the lotus leaf, known to the survival of the Ming Luck. "as a mirror pattern, it has the meaning of the blessing of longevity. Ten other four kinds of samples Rui animal prints, and all eco-filled, metaphorical auspicious. There are multi-layer lap belt on the outside to the edge of the main patterns, configuration, short-term pattern, triangle sawtooth pattern, flow, moire, dragon and tiger, wild animal, and two-lane twists and turns pattern. The bronze with fine and exquisite decorations in any society will inevitably have a direct relationship with the ruling class.
Bureau pattern of Bo Bureau pattern Bo Han Dynasty bronze mirror is more likely to see a decoration, domestic and Japanese scholars in the past called the "rule pattern" European and American scholars, the study said the TLV pattern. After the research in recent years, some scholars have concluded that this mirror lines derived from six-Bo on the chessboard decoration: first, 12 slalom bronze mirror (ie, the permutations and combinations of the so-called rules pattern) is a fixed regular and Bo the Qu Bureau, the bronze mirror pattern stacked on top of the in Bo Bureau pattern, two patterns are completely consistent. The distinguishing bronze in the tombs can best manifest the distinction of the rank. Second, the bronze mirror from the Bo Bureau pattern generation, development and disappearance.
And gambling the existence, development and the rise and fall of tightly linked. Bo Bureau grain bronze mirror is produced in about the Qin and Han dynasties, its peak in the Western Han Dynasty, disappeared between the Northern and Southern Dynasties. Spring and Autumn Period is a mature period of great development in the history of the development of Chinese ancient bronze mirror, Chinese ancient bronze mirror by juvenile Park towards the mature stage of transition; bronze mirror casting center from the north, an important period of the southward migration. Overall, the bronze mirror of the Warring States period is characterized by a compact body, exquisite ornamentation, smooth lines. In turn, different social status also determines the sizes of the chinese bronze.