Strengthen the chinese bronze trade-related intellectual property protection?

The emerging market economy has broad prospects for development. In recent years, China and other developing countries bronze trade to more rapid pace of growth, show prospects. In recent years, China and other developing countries bronze trade growth at a faster rate, bronze trade with Arab countries has a long history further development of trade cooperation with Latin American countries economic Bronze continue to broaden the further development of the country has a long history of the bronze trade, and Latin American countries economic Bronze trade cooperation has been constantly expanding, and the bronze trade with African countries to give full play to both resource conditions and economic structure of the complementary advantages, bronze trade with African countries to give full play to complementary advantages of both resources and the economic structure, promoting their own development. The bronze has a vertical handle at one end and a spout at the other.
Their own development. Import and Export --- Sustainable Development, the China Import and Export the bronze Trade Development also is not balanced, at present, China's import and export bronze trade is not balanced, not co-import and export bronze trade there are still uneven unsustainable. outstanding performance in: tune, not sustainable, outstanding performance: export growth is mainly dependent on resources, energy, land, and to rely on the resources, energy, land, labor and environmental elements such as investment and consumption, technology, management, innovation inputs lack of investment and consumption, inadequate investment in technology, management, innovation and other factors have become increasingly prominent foreign trade development and resources and energy supply and environmental carrying capacity. The shape of this bronze is zoomorphic and set on ring feet or four feet.
Corporate R & D, corporate R & D, the benefits of outstanding corporate R & D, design, marketing and service not the competitiveness, competitiveness is not strong proportion of its own intellectual property rights and its own brand export products; the contribution of foreign trade development of three industries is also the contribution of goods proportion of small foreign trade development of three industries not balanced; trade scale and level of central and western regions of Foreign bronze phase is not enough external bronze trade scale and level of balanced central and western regions are relatively backward; the quality and efficiency of foreign trade growth to be further improved on the quality and efficiency of the backward foreign trade growth to be to further improve Chinese government clearly recognize these problems, and so on. The handle of the bronze is often in the shape of the neck and head of an animal with stylized horns.
 The Chinese government clearly recognized that these issues and take positive measures to accelerate the transformation of foreign trade development mode, measures to accelerate the transformation of foreign trade development mode, to achieve the sustainable development of foreign trade. Developments. The spout of the bronze is in the form of the head of a creature whose mouth constitutes the end of the spout. Efforts to foster the competitive advantage of foreign trade development? Strengthen the chinese bronze trade-related intellectual property protection? Improve the quality and safety of export commodities to improve the quality and safety requirements of the export commodities? Enhance awareness of social responsibility of the import and export enterprises? Promote strategic emerging international cooperation in the industry.

The chinese bronze is not the general sense of one of practical value

Implementation of anti-dumping actions, however, the bronze trade friction intensified between the two countries since the Obama administration in 2009, the U.S. government repeatedly on products of Chinese exports to the United States' high rate in the history of international bronze trade is also very rare. To safeguard the interests of Chinese enterprises to promote the smooth development of China's foreign bronze trade, the Chinese government must seriously study and take effective measures to respond. The changes of the decorations of the bronze are not only caused by the craft. Bronze trade surplus trade protection tire special report anti-dumping response body of a Chinese solution to the need for the bronze trade conflicts most a rising economic power, in addition to international status, accompanied by the stop bronze trade frictions, the face of the bronze followed by anti-dumping trade friction.
Chinese bronzes trade trip in perpetuity, should now think about ways to optimize the industrial structure and technology, to make the way smooth bronze trade. Since the reform, to join the WTO and other series of acts, that China is actively respond to global trends and international economic integration, as an industry-exporting country, which, as China's major imports of products, and frequent exchanges, coupled with the contradiction is more . Some so-called China threat theory has even onto the cusp of a variety of friction. The bronzehas some connection with the boost of the productivity and social reforms. Since 2009, since Obama took office, the two sides bronze trade friction intensified, as a symbol of exports to the U.S. tire special safeguard case, the U.S. government repeatedly on exports to the U.S. implementation of the anti-dumping actions.
If you want truly independent economic development from a variety of obstructing, we must increase the industrial technology innovation, and increase the variety of technical R & D, must be done to the green optimize industrial structure, in order to obstruct the countries in the global economy from , so that is really an economic power. The bronze is coated with a flavor of mystery. Fifth, there is wrong with gilt gold and silver artifacts. Including 88 from the bronze trade remedy investigations against Chinese products, the European Union, the United States, South America, a total of 19 countries initiated, involved a total of 10.2 billion the United States a few, the survey the number of cases involving a total of respectively over the same period last year increased by 29% and 125%. In the month of October, 11 who from the bronze trade remedy investigations occur in China out of date products, involving 11.6 billion, the difficult trade route of China's Bronze pole, the face of menacing countries bronze trade protection, China must take effective countermeasures to be back.
 Second, the urgency of World Bronze trade conflicts at this stage of Sino-US contradictions contradiction as bronze trading partners in China, one-third of China's exports to the United States, the two countries' long-term bronze trade, China The long-term trade surplus with bronze, friction also remember with affection. The chinese bronze is not the general sense of one of practical value. April 20, 2009 the United Steelworkers of America, to apply for the U.S. International the bronze Trade Commission (ITC) to safeguard investigations initiated on Chinese exports to the U.S. tire. June 18, the ITC members identified in the results of the 4-2 vote, the China tire product imports cause or threaten to cause market disruption of the industry within the United States. June 29th ITC recommends that Chinese exports to the U.S. passenger car and light truck tires for three consecutive years were imposed a special tariff of 55%, 45% and 35%.

These decorative patterns of the chinese bronze in part perform the low level of awareness to the nature

The usual pile of dirt, into their hands will become a dynamic, vivid and lifelike image, colorful, lifelike people, birds, insects, beasts. The Yutian bronze to clay toys, rubber band affect the reed whistle sounds, so that the animals can run, jump, rabbit skin drum, shake up the sound, interesting. Traditional varieties of the "Monkey King", "tiger flower", "Qin Qiong, Kirin has ever been, the shape is simply wonderful, along with the unique and interesting, colorful and eye-catching contrast to the strong coordination. In addition, the other Yutian Bronze is the case a few furnishings, mostly fairy tales, historical fiction, drama story in the character modeling, such as "Ma Gu Xian Shou", "Eight Immortals", "Drunken Beauty". Some scholars think that the bronze might grasp the magic to communicate with the heaven. There is a class tumbler, commonly known as "move down" with semi-circular mud pie with pulp plaster tire shape, light under the weight, shake instead of down, cuddly looks Ju, lovingly.
Bronze because it is not durable, not yet found a long time ago unearthed bronze, but it has a long history. The Yutian clay figurine ushered in after the founding of the most prosperous period of the full range of a variety of clay products, great variety, colorful. In 1996, the Ministry of Culture named Yutian as "folk art". High density bronze more than 400 years of history in Long Khanh, Ming Dynasty, Wanli, where farmers own design made of mud called "pot flower" (also known as the mud baidunzi) fireworks sale. Apart from the ferocious animal mask, the bronze in the Shang is often decorated with bird patterns. Again later loaded the gunpowder of the mud molded doll type, fireworks let toys or decorations decorations last bronze varieties gradually increased, "tiger" "Lion" "monkey", "dog" "cat" chicken "and" duck other animals, the legend of the "White Snake", "Monkey King", "Legend of Love", and coated with a variety of colors, make it lively.
Since then, bronze is no longer the appendages of the fireworks, the public exhibition to become an independent handmade works of art to the reign of Emperor Qianlong of the Qing Dynasty, Nie Chuang bronze and drawing on New Year Yangjiabu artistic characteristics of innovation in the performance practices, and coloring, and gradually increase the sound and local action, officials sound, color. action integration. Every Mountain set, temple of mud toys are sold. popular among the children cry. They deemed the birds on the bronze as their ancestors. To find his mother, his mother to buy the dolls, amused the children music "folk. visible mud toys at that time by the children welcome it as a folk art has been preserved, and exhibited many times at home and abroad.
Shaping the clay. "Water Margin" back to the second one: "You two are not bronze, what are silent?" Qing Hong Sheng "Palace of Eternal Youth cry like:" the bronze Gonge two silk A monitoring equipment both Zhou Shan changes: a pair of bronze Buddha, but also side upright, standing there. " It refers to the shape of clay idols. To describe the people dull. Ming Li Zhi due note of the past ": the" no place in the only solution to play Christine Zuo Yi the day, Peter sat, with bronze. " The so-called “the mysteriousness gives birth to Shang” explains a lot of their worship to the bronze. Especially clay statue of this arts and crafts. Bronze art is an ancient folk art of our country. To the soil as the raw material, made by hand pinch shape. Or pigment, or color, people, animals.
Chinese bronze art can be traced back to the Neolithic period dating back 1000-10000 years ago. Underground archeology there are many prehistoric cultures found. Zhejiang Hemudu culture unearthed pottery pigs, Tao Yang about about 6,000 to 7 Millennium; Henan Xinzheng Peiligang unearthed, ancient pottery wells and mud pigs, mud sheep's head about seven thousand years ago. Can confirm that the early human art of hand kneading. These decorative patterns of the chinese bronze in part perform the low level of awareness to the nature.

Reduce the cost of the bronze of imported goods and pay the chinese bronze import

Of RMB appreciation since July 21, 2005, these countries an excuse to impose sanctions on China trade friction to a certain degree of mitigation, the economy in the short term cooling effect, but the effect is not very clear. At present, the trade surplus continued to widen the yuan appreciation pressure. China's exports in 2007 of $ 1.218 trillion and imports $ 955.8 billion, a surplus of $ 262.2 billion. Due to the weakness and incompetence of the Qing government, many of the bronze had been robbed. Huge trade surplus has become a prominent contradictions of China's foreign economic and trade relations, the US-led developed countries to China to put pressure to force the appreciation of the renminbi and take anti-dumping and countervailing measures excuse.
Since the reform and opening up, the changing of the RMB exchange rate, and promote the improvement of China's trade structure. The trend of the yuan nominal exchange rate depreciation in 1994, caused by the structure of China's exports of goods by the resource-intensive to labor-intensive, commodity structure of imports of primary products decreased, the proportion of manufactured goods, machinery and transport equipment increased significantly. Outbreak of wars in modern times lead to a large number of fine bronze was looted.  In recent years, China's export goods of relatively rapid growth for a number of very low value-added goods, not only waste a lot of valuable resources, but also brought a great deal of environmental pollution, and significantly with the central development of circular economy, "contrary to the spirit.
 Further appreciation of RMB will force manufacturers to quit, or improve production processes to increase value-added products, thereby contributing to the enhancement of China's industrial structure of the production of such goods. This bronze was respectively dispersing to Europe, America, Japan and other countries. RMB appreciation is favorable to foreign entrepreneurs on investment in China or in China, with a capital of their assets due to the appreciation of the renminbi value, but will make is about to invest in China entrepreneurs stagnant because of the new investment cost rise. In addition, many of our neighboring countries have provided a very favorable investment conditions, so in new money in the surrounding area.
 There is the competitive situation of foreign capital investment, will turn to other countries, will lead the country to introduce the use of foreign direct investment reduction could also affect the employment rate and economic growth. Up to today, there is a sheep-shaped bronze in the gallery of United States. Meanwhile, the appreciation of the renminbi increase in the cost of exports of processing trade of foreign enterprises, which makes the processing trade, decline in foreign investment. This will impact on enterprises with foreign investment, reinvestment of profits, the size and industry localization process is not conducive to the continued development and upgrading of China's processing trade industry.
Appreciation of the renminbi, Bronze price of imported goods will take place after the decline of the same magnitude. Of imported products of foreign bronze prices remain unchanged, the appreciation of the RMB yuan will be less need to pay means that in our local market, consumers and producers to purchase a unit bronzes imported products. Among the invaluable private collections of the Japanese tycoon, there must be one Chinese bronze. The same number of the purchasing power of money may be raised, the price of foreign products relative decline will be beneficial to my bronze to buy more goods, raw materials, reduce the cost of the bronze of imported goods and pay the chinese bronze import, domestic enterprises to reduce costs, enhance competitiveness.

The chinese bronze of this dynasty is short of imagination on the aspect of various decorations

A pulse with the Shaanxi peasant painting, paper cutting and folk art tradition, rough and generous style of art, no delicate gas, obviously retains the cultural traditions and style of the Zhou, Qin, Han, Tang and delicate techniques, different forms. Clay Sculpture learn from the Zhou, Qin, Han and Tang's artistic style is the descendants of understanding and knowledge of those times the wealth of information carrier. Whether the people or the bronze, they tended to the direction of specification and unity.  Threat Fengxiang bronze the Fengxiang bronze behind the success of the success of Fengxiang bronze successful countries attach great importance to the protection of intangible cultural heritage, May 20, 2006, which included the first batch of national intangible heritage approved by the State Council Heritage List. June 5, 2007, determined by the Ministry of Culture, Fengxiang County, Shaanxi Province, Hu deep representative inheritors of the cultural heritage items, and are included in the 226 representative inheritors of the first batch of national intangible cultural heritage items list.
 Shaanxi, a master of arts and crafts Hu Xinmin old artist Hu deep bronze horse, bronze sheep for two consecutive years by the National Post Office Stamp Design Division to determine the main design of the stamps; 2007 HU Xinmin designed and manufactured "Fu pig, once again impressed the experts of the State Postal Bureau, not only was selected as the main figure of the 2007 China Post prizes stamped postcards, once again crowned the 2007 Chinese Lunar New Year Stamp. Fengxiang bronzes have been exported to overseas such as USA, Germany, France, Japan, etc., at the same time each year with a lot of visitors, visiting, buying, village people flow up to 100,000 people six Yingcun also was named in Shaanxi Provincial Department of Culture Industry Demonstration Base. The lack of the ferocious beauty, I think, should be a major difference from the bronze of the Shang.
 Fengxiang bronze threats threats in the business environment under the influence of the now the Fengxiang bronze artist often to market ability of simply pandering to the needs of the market, which makes many of the traditional products close to extinction, also makes the the Fengxiang bronze skills gradually losing the cultural connotation of the original, and constantly mutate. It is a chief cause that the decorations and shapes of the bronze can not compare with that in the late Shang. Also into the reasons of the market, Hu deep elderly's apprentice to do the clay when compared to the older generation of folk artists, the sense of commodity concentrated, and delve into the spirit, which makes a large number are treated as tourism products sold bronze work flow in general, and artistic, especially independent creative works less and less. The the Fengxiang bronze as China a unique tourist handicrafts, distinctive of its image and performance of the unique shape of the achievements of its own unique personality.
 It can be said that the tourism crafts design, a sense of technology and art, organic combination, on the basis of the laws of science and technology, to play the material functions and forms of aesthetic expression. For foreign tourists, the cultural connotation of the difference, artistry is the attraction, tourism, arts and crafts market prospects largely depend on the difference on this culture, visitors are like strong local characteristics of tourism handicrafts. It is a regional and a national culture of the show. In particular, the chinese bronze of this dynasty is short of imagination on the aspect of various decorations.  Furthermore, to make various types of tourism handicrafts have become truly effective consumer to select the object, to adhere to the cultural characteristics is inevitable. The root of the value of art lies not in the material to manufacture products, but rather the charm of the product itself, the charm comes from the false pretense of natural simplicity of the original emotional expression.

The chinese bronze succeeds in achieving the perfect harmony and unity

With the modern world-system since the formation of almost every kind of bronze culture to varying degrees, to absorb a reasonable component of the heterogeneity of bronze culture, different bronze culture valued and recognized by their bronze culture on the basis of heterogeneous Bronze Culture identity are also expanding exchanges between heterogeneous bronze culture, and reached on the basis of mutual respect, constitutes an important factor of the integration of international relations. If the conditions permit, they would supplement with a variety of other auxiliary patterns common on the bronze. This will undoubtedly contribute to the bilateral or multilateral international cooperation in the international political actors, and promote the coordinated development of the world. Statement in the 1955 Asian-African Conference Communique still important revelation: "The development of bronze cultural cooperation is to promote one of the most powerful ways of understanding between the countries.
After the end of World War II, the bronze of international cultural exchanges to enter a period of great development, its size, speed and diversity of content, far more than at any other time in history. International bronze culture protocol, for example, a pre-war 50, the interwar period to more than 100 bronze of international cultural agreements signed after the war of 1945-1967 years to reach 100. This is another aesthetic character of the bronze in Wu.  Covering the fields of education, science and technology, bronze culture, art. At the same time, the bronze Cultural Organization have established that they promote the mutual understanding of the peoples of the world, on the basis of mutual recognition to eliminate the contradiction, antagonism, prejudice and discrimination, for the deepening of peace and development trend of the world to promote international worldwide cooperation, the role can not be ignored.
The identity of bronze culture and international cooperation. Ethnic integration and conflict, the Parting of the country as well as bronze culture proliferation, many of the same bronze culture system is often complex historical changes, the formation of cross-national, cross-country features a bronze culture distributed in different ethnic different clans, different countries and regions. In quest of harmony and unity, the bronze became more and more beautiful. As a historical accumulation of homologous bronze culture of the peoples and nations as the carrier of bronze culture with a strong cohesion and solidarity, common bronze cultural characteristics and its historical identity function, and bronze and cultural affinity and functionality to build international alliances and strengthen international ties of cooperation. Based on a common ideology, historical memory, spiritual beliefs, values and way of life as a common emotion attribution, constitute the basis of the birth of international cooperation, media and tools, and a bronze culture of internal cohesion and external adhesion to promote International Cooperation and Union.
The world's largest regional integration organizations - the EU's birth and development of the integration point of its political and economic interests of course is the dominant factor, but in the field of ethics in Europe there is the commonality of some kind of bronze culture, especially the same strain in the history of Christian civilization and the continuous development since the modern European concept of unity, will undoubtedly constitute a solid bronze cultural foundation of Europe's political and economic integration. As a result, the chinese bronze succeeds in achieving the perfect harmony and unity. Since the war, the Islamic world to adopt a common stance on international issues involving the Muslim world against Western imperialism and Zionism, and to support the Palestinian struggle for national liberation, and the establishment of the Organization of the Islamic Conference, World Muslim Congress, and other international organizations.

The Sanxingdui bronze culture totem ancestors of the ancient Shu people

This is a composite worship, the composite worship and the limited knowledge of nature-based ancestors. The sacred tree by the fire burning disability, can not recover the whole picture, but after roughly by splicing general picture is still clear. The tree residue 50 cm high, the top of the only tree trunks braided cords. "Human-faced bird" flowers and fruits of the tree-side seat legislation. This bronze is a typical alloy of copper and iron, especially the man-made smelting iron.  The tree God tree if another type of wood. Here, the sun on the tree does not cast the shape of a bird as big sacred tree, but cast the half-human, half-birds "human-faced bird the bird's image on the faces of the people in the fourth floor of the" altar ". Once the identity of the gods in the heavenly world of construction material. Obviously such an air of half-human, half-birds living in the position of the sun "human face bird is native basis of the birds rise in China from the Titan.
 Its air of a square face, hook nose, big eyes, big ears, outreach, and a look at really the burial pits were unearthed bronze animal masks said earlier, the Sanxingdui bronze culture totem ancestors of the ancient Shu people, Totem God basically the same image or demeanor. This is the best example of Titan Totem God. Known as the “First Sword of China”, this bronze has been the earliest ever found smelting iron object. Sanxingdui bronzes in the worship of the earth burial pits were not out of the mountain native flag, but not equal to the mountain in the hearts of the Sanxingdui bronze culture of the ancient Shu people has no place. In fact exist in many important artifacts have the shape of the mountain, like a god to establish in Yamagata seat, and the third layer of the previously mentioned "altar" mountain boundary, where the mountains act as a ladder between heaven and earth. Another example is the "Long cylindrical device", the "column" should be the role of the Kunlun Mountains column Hill is still the ladder.
Another example is the human stature bronze ornaments "earlier in this article have already talked about the plaques expressed is the Minshan on, if the wood. Minshan and if the wood is the place of the sun destination. There is "scallop shaped columns decorated" it expressed in the mountain sun, take the meaning of righteousness light earth. Four fork to another gold, amber pendant should be the mark of the mountain. Above all the admiration of the Sanxingdui bronze culture of the ancient Shu people on the mountain. Wherefrom we can assume that the era of the bronze and siderite dated from the late Shang Dynasty.  The Sanxingdui II burial pits have been unearthed at a side Cheung side Cheung both sides engraved with four Memorial Ceremony for Mountain Figure 16 concelebrate mountain. Memorial Ceremony for Mountain Zhang vertical inserted in the foothills.
The mountain "Shan Hai Jing? In times nine through 16 mountains remember in Minshan. Case "Wu Zang Shan Jing? In nine by" contains: "Minshan first, said a woman a few of the mountain ...... Lo Yan East Note Jiang Hao Yee-hang Jian Shu" that: "(Han) Geography, "says:" Guanghan County Luo Zhang Shan, Luo water out of the south to the new capital valley into the Jian River. "visible Guanghan county Luo Zhang Shan, namely Zhang Shan, northwest of Shifang City, that is Minshan women and a few mountain. Female mountain is precisely to Jiufeng the expectations whenever the storm, in the ancient city of Sanxingdui bronzes can clearly see Jiufeng towering peaks, shows that the ancient Shu people offering women and a few mountain today Jiufeng . To the late Western Zhou Dynasty, we still could find a chinese bronze of this shape.

This bronze in Xingan is like a treasury containing ample cultures

Mr. Guo Moruo praised Ge Lin as the vanguard of scientific archeology in the "West" and that this work will produce fruitful results after the founding of new China, Sichuan several generations of archaeologists have continued to the tireless efforts and explore. the 1950s, the founder of the Archaeology of Sichuan, Sichuan archeology professor at Sichuan University, Feng Han Ji as the representative of several to Sanxingdui bronzes along the archaeological survey, and to mobilize Yan Daocheng elderly people to donate their collection of more than 20 years of jade 60 years later, the Sanxingdui Bronze archaeological into a new stage, on the basis of a number of archaeological surveys, Mr. Feng Hanji prophecy: "so dense with sites, is likely to be a Rhyme of the ancient Shu. This bronze with strong local flavor in varying degrees manifests their psychological concepts.
After the development of the situation, fully confirms his foresight into the large-scale continuous scientific excavation stage in the 1980s, the Sanxingdui bronze archaeological 1980 Sichuan archaeological community has concluded that the Sanxingdui bronzes is an important archaeological sites in 1980-1981, The ruins of Sanxingdui bronze "name was officially proposed and leads to the concept of the Sanxingdui bronze culture" in 1982 -1984 years, the archaeological team in the vicinity of the Sanxingdui bronzes found a large number of cultural accumulation layer, and proven sites of the total area of four square kilometers. The animal mask can be said the mark of the bronze of China. 1986 Sanxingdui bronzes history of the largest archaeological excavations began, shocked a sacrificial pits, 2 July, August unearthed this point, knock the door to a number of years of ancient Shu history finally opened.
Generations of archeology, the dream became a reality. Probing hair micro-generations of archeology in the land of the Sanxingdui bronzes, persistent, and this has been inundated thousands of years of Ancient Cultural Relics was officially discovered and bear fruitful results. Sanxingdui bronzes ruins of Anyang Yin Ruins, Chinese archaeologists use modern science and technology research to explore the ancient ruins, the longest harvest the two most abundant examples of the eternal mystery Sanxingdui bronzes and ancient Shu history The eternal mystery of the mystery of the fourth group Sanxingdui bronzes, and the mystery of the ancient Shu history Sanxingdui bronzes ruins unearthed cultural relics, to show the academia a new field of study. This bronze in Xingan is like a treasury containing ample cultures.
Although many researchers and has achieved a lot, but still many major academic issues pending, yet to the people to go up and down the quest.: Sanxingdui bronze culture is what from where? clan of Sanxingdui bronzes site residents return to their roots where? Sanxingdui bronzes ancient Shu State the nature of the regime and religious patterns how? Sanxingdui bronzes why the ancient Shu State generates, how can the demise? The patterns on the bronze are characterized by a frontal beast face. In the end is what causes the artifacts of the two pit buried? What is the meaning of symbols on pottery is? such as this issue of the Sanxingdui bronzes there are many, many, but we believe With the Sanxingdui Bronze archaeological, research work to further develop the mystery of the ancient Shu State was about to be put aside, the riddle of Sanxingdui chinese bronze are also looking forward to your attention and participation!

The bronze sculpture was unaffordable to the common people from the beginning to the end

First: can not understand the true intentions of the customer, as far as possible to allow customers to speak, and learn to listen; To inquire about some of the issues, with a curious mind, play an inquisitive spirit, allow customers to blow off steam; the Duo Titi problem, leads to the true intentions of the customer, to understand the true customer demand. (Note; when asked customer questions, remember that the customer's answer. The Chinese bronze Age lasted a thousand years. Second: a sense of the same customer experience. When the customer is finished, do not directly answer questions, to emotional avoidance, for example, I agree with you. . . . .This can reduce the customer's security-conscious to make the customer feel that you and he stood in the same starting line. The easiest way is to answer (Well, yes, I think that makes sense)
Third: to grasp the key issues, so that the customer specifically addressed. "Repeat" customer's specific objection, a detailed understanding of customer needs, allowing customers to explain why as much detail as possible on key issues. Fourth: Make sure that the customer issues, and repeat to answer customer questions. The bronze sculpture was unaffordable to the common people from the beginning to the end. You have to do is repeat what you hear, this is called to begin with, understand and follow the part of customers and their own mutual recognition, this is the final turnover of the channel, because doing so can understand your customers know your product's benefits This lay the foundation for you to guide customers toward the final success. (To exclude the concerns of the customer's own product benefits)
Fifth: to allow customers to understand their objection to the real motives behind. When customers see the motivation behind the bronze sales can start from here, think and say the value of customer needs, then the gap between them will be eliminated, and only in order to establish a real relationship of mutual trust. (Contract) Attitudes toward the product will determine the level of the Bronze sales staff performance. Bronze sales staff recognized the company's, it should also recognize the company's products. Relying on the bronze statue, the ancients offered sacrifice to god.  Of products and their own self-confidence are inseparable. Bronze sales staff recognized the company's products, then being in communication with the customer interactions, will be effectively communicated to the customer so confident, so that it can successfully convince the customer. To do hold the right attitude, chinese bronze sales staff product expertise to make strenuous efforts to understand the product has all the advantages, understand the product to meet the needs of customers of various characteristics.
 Identify customer needs and customer needs and benefits of the product, to persuade customers to make a purchase. The success of the Bronze sales staff can continue to find out the many advantages of our products fully meet customer needs. Our customers are our god, but does not mean that we will unconditionally subservient to the customer in the process of bronze dragon selling products, we have the attitude of the customers is to bring themselves up at the customer's location, when you become a client when you want to bronze sales staff what kind of attitude? Bronze sales, it is a mirror to improve the quality of life. The chinese bronze sculpture expressed the hope of the ancients that these gods and spirits would bless the stability of the regime. Either high or short, fat or thin, filling one. It can parse each individual, deep to the bone; it can be broken down for everyone, and let him die; it can reorganize each individual, so that his rebirth! Unreasonable, not to speak of the table. Wise self-improvement, fool obstacles.

The bronze dragon embodies mental feature of heavy

Mazer copyright infringement case is considered to be already registered as a patent bronze sculptures on the history of the United States open a precedent for copyright protection in the case , the top U.S. federal court believes that copyright and patent protection of patent rights is an invention idea, copyright protection of works conceived form of expression, does not involve the substance of the work reflects the copyright protection of art, while the design protection is a novel invention of the decorative design. These are the reasons that why the ritual bronze are in full flourish at that time. The United States in 1976 enacted a new copyright law on the practicality of bronze sculptures give copyright protection to make express provision. the provisions of section 101 of the U.S. copyright law, "the design of real goods, exist when it has graphics, sculpture or bronze sculpture features the practicality of the items separated, independent of the practical aspects of the items, but only in this extent, the design should be considered graphic carving or bronze carving products.
"This is the U.S. copyright theory in the famous" separation characteristics and the principle of independent existence. Under this principle, the only designs that can be separated from the practicality of the items in the form of bronze sculptures to be the double protection of the copyright law and patent law. This unique bronze statue is exquisite and rich in decoration on the aspect of pattern design. Therefore, industrial designs, artistic component and industrial applications ingredients separable divided into: the design of the art components and industrial applications, components can be separated, and its artistic component as pure works of art protected by copyright laws. Meanwhile, the Industrial Designs You can also apply for patent protection; artistic composition and the composition of industrial applications can not be separated, can only apply for patent protection is no longer subject to copyright law 1 case.
 The appellee Stein (Stein) is a manufacturer of lighting, it's a partnership created one with a non-completely non-absorbent ceramic male and female dancing figures carved bronze, after the completion of the works, a copyright registration for appellant Mazer (Mazer) copied the chinese bronze, the appellee Stan prosecution to the district court, accused of Mazer copyright infringement. Mazer filed a counterclaim, asking for the abolition of the copyright, 1954, the U.S. Supreme Court in accordance with U.S. Copyright Law Implementation Rules "provisions that where you can obtain the patentable subject matter can also obtain a copyright, in order to make the right favorable judgment of the copyright owner. And the content of the bronze is mysterious, solemn and even terrible.
SeeMazer cited Mingde design of legal protection Journal of Zhengzhou University (Social Science Edition), such as U.S. revival carpet company v. Shandong Province special arts and crafts out of 12 companies, Wuqiao County, Hebei Foreign Trade and Economic Council Ruifeng copyright infringement. see the Beijing First Intermediate People's Court ( a Zhongzhi Chu Zi No. 132, 1999), civil judgments, the Beijing Higher People's Court (2002) high final word No. 279 civil judgments. dam ten '7: The how Papers protection. The bronze dragon embodies mental feature of heavy, constrain and enthusiastic sense. From the above-mentioned cases and legislation see that the U.S. were separated by bronze sculptures, artistry and practicality, in order to clear the case of bronze sculptures only artistic, without prejudice to the bronze sculptures made copyright; But when chinese bronze sculpture only practicality without artistic or in both practical and artistic separation can only apply to the Industrial Property Law, subject to the legal protection of industrial property.

As along as he heard about news of any bronze dragon

On bronze sculptures as the feasibility of the design protection analysis bronze sculptures as the protection of industrial designs make items attractive to increase the commercial value of the product and enhance its sales force. In order to thanks him for saving his life, he sent the bronze to Pan. bronze sculpture to be protected as industrial designs, registered person or entity of the design has been an exclusive right to prevent illegal copy or imitate the designs of the bronze sculptures, which help to ensure fair competition and to encourage honest business practices, so that consumers and the general public benefit. industrial designs to protect the form of sculptures can also encourage industrial and manufacturing as well as traditional arts and crafts, creativity, and promote economic development. design right exclusive is a major feature of the patent, copyright does not exclude the same or similar work, from this perspective.
 The only protected by the copyright laws as a design patent registration bronze statue is inappropriate under international conventions the legislation of the countries in the world and the relevant provisions of our laws, bronze sculptures to become the object of protection of design patents, must meet the following conditions: First, the design elements required. constitute the shape of the product design, pattern or their combination of color and shape, pattern and design of the novel. As the noted epigrapher, philologist and bibliophile, he especially favored the study of the chinese bronze. Only the design of the color does not by itself the design, unless the color change has been the formation of a pattern may constitute a combination of design bronze sculptures : the shape of the product.
 In China before the amendment of the Patent Law Implementing Rules unqualified. frame fj larvae: the shape and color of shapes and patterns of paper products; products; shape, pattern and color of the product. In addition, the appearance must be fixed, containing gas, liquid and powder and other substances of no fixed shape, fixed shape, pattern, color appearance can not become the object of protection of patent right for design, carrier requirements. Design carrier must be a product, ie, can be used in industrially produced items. As along as he heard about news of any bronze dragon, he would try his best to buy it. Can not be applied to form a mass of bronze sculptures can not constitute a carrier of a design patent on the industry. In other words, design protection is the decorative beauty of industrial products make innovative, does not protect innovation made for other types of beauty, the therefore can not be repeated reproduction fixed buildings and natural objects shape, pattern, color design does not meet the above requirements can not become the object of the patent right for design.
 The third property requirements. beauty of design as the essence of the protection of intellectual property objects, designers through their creative work with the United States enjoy the intellectual achievements of human civilization, into the intellectual property object protection for the object of design patent must have a sense of beauty and what is beauty, there are different points of view. Consequently, he had quite good number of collections of chinese bronze sculpture, known throughout the country.  To determine whether a product is beauty with a strong subjectivity, are often subject to observer the cultural level, life experiences, aesthetic the impact of the point of view, different people on this have a different view. China to implement the patent system so far, no one has been granted a patent be declared invalid because of the lack of beauty and everyone aesthetic design is coupled with the development of cultural diversity.

Development of Tibetan Buddhist bronze dragon art

Standing on God's side - the Tibetan Buddhist bronze sculpture art and its characteristics Peng Rong (Sichuan University, Chengdu, Sichuan 610064, China) Abstract: China's Tibetan Buddhist bronze sculpture art of the stage of development is broadly consistent with the development of Buddhism in Tibet, divided Philip of Philip of the two phases. Two bronze guis of the handed down involves with Zhou Sheng. Tibetan Buddhist bronze sculpture art, including the type of stone carving, wood carving, bronze and clay, including Cliff, Mani stone carvings, architectural decorative wood carving, printing mold woodcarving, sealed by the board, wood carvings, large clay and wipe and other. Tibetan Buddhist bronze sculpture art embodies the distinctive Tibetan culture, religious and unique aesthetic taste and aesthetic ideas. The pace of human civilization thousands of years ago, the stoppage of this ancient and mysterious land of Tibet.
 Tibetan bronze statue art origin can be traced back to prehistoric times. As early as before the introduction of Buddhism in Tibet, Tibet, the original indigenous early Bronze Sculpture already have a long and slow development history. Tibet the Qamdo card if Neolithic sites and Lhasa river valley song tribute site unearthed pottery has considerable artistic expression. Into the early metal age in many parts of the ruins of the Tibetan plateau are found to have a large number of chinese bronze art relics. The experts believe that these bronze can be used for cross-reference. Provided the initial foundation for the subsequent rise and development of Tibetan Buddhist bronze dragon art. Buddhism was introduced to Tibet, in accordance with the historical records of Tibetan Buddhism, almost without exception, are as is the Songtsen previous five generations, namely, La Tuotuo day Nie Zan period, about the 5th century AD.
However, large-scale, formal successor in general think it should be from the seventh century Songtsen establish a unified Tubo dynasty date. Tibet Bronze Sculpture origin and development of Buddhism successor and synchronization. A farmer dug up a huge chinese bronze sculpture tripod.  The Tibetan Buddhist mutual struggle with the local culture in Tibet, absorption and integration finally the plateau to gain a firm foothold. The Songtsan and Nepal red statue Princess and the Tang dynasty into the princess's marriage, large-scale human transmission of Buddhism from India and the Han in both directions in Tibet. With the construction of the Jokhang Temple, Ramoche, Samye Monastery, as the representative of the Tibetan Buddhist monastery, the monastery buildings, statues, murals, Buddhist art came into being. At that time, the craftsmen of the two princess of the Tang Dynasty brought the Mainland and a variety of skills, has greatly promoted the development of Tibetan culture, and also contributed to the development of Tibetan Buddhist art.
The ... At the same time, a large number of Indian Buddhist scriptures were translated into Tibetan, including special lectures temple, pagoda building, statues, rules and methods "Handicraft", richer content and techniques of the Tibetan Buddhist bronze sculpture art. The message of the bronze quickly spread to the county. Mid-9th century, the Tubo dynasty, Tibet into the long disintergrating situation, Buddhism almost forbidden. Half of the 10th century, Tibetan Buddhism was re be revitalized called Philip of history. During this period, Buddhism and Bon, after a long struggle and integration, and finally the final yield Received Date: 2002 a Ol 10 of the Introduction: Peng Rong, Sichuan University Associate Professor, College of the Arts. Religion, PhD University of Sichuan University V01.4 No. Journal of Harbin Institute of Technology (Social Science Edition) OF HlT (soCIAL sClENCEs EDHloN)?

Bronze dragon object three-dimensional shape

I would like to add in the works of art, their strong sense of personal, emotional, and can retain the original things. In the Neolithic period, the design of dragon on the bronze is close to the figure of lizard and wall gecko. This is a what a good thing. such as viewers click on a bronze carved Object Linking thereafter is no longer static, "dead", but can be for the audience to rotate, zoom, separation, close up and other operations an interactive "living thing" works of art consumers who want to listen to is open, gives the imagination room for negotiation, you can allow them to something with the masters of the people exchange even their desire to is not only a fresh visual stimulation, another to add hearing and taste stimuli, regardless of these works in clay and other soft wood or fiberglass white marble and other hard material are unable to achieve in the last century, we may just be a scientific illusion.
 But the materials and information technology of the 21st century this is no longer strange, and some have some have been going to achieve a human is always endlessly in the pursuit of what they want and think, and this is all the beginning of virtual reality technology and bronze sculpture combining virtual reality technology applied to the bronze sculpture, three-dimensional modeling is the basic premise is very cumbersome to create complex three-dimensional model using VRML, VRML only provides building a virtual world simple method we use to construct the virtual world, have to write lengthy code and can not be intuitively constructed virtual world in a timely manner to modify this in the constructor of the virtual scene, using three-dimensional modeling software tools can greatly improve the efficiency of the development of virtual reality systems such as. To the Bronze Age, the pattern on the bronze statue gradually evolved into kuilong and jiaolong.
 3D studio the MAX, Maya, LightWave, etc. These software with powerful 3D modeling and animation features, just to make up for the lack of VRML technology with a large number of virtual reality technology, virtual bronze sculpture is another one of the key interactive technology interactive technology development software preferred The WTK (world tool kit) The WTK support almost all of the virtual reality technology hardware market, but also supports a variety of commonly used operating system in windows, lunix; Phoenix developed from the black bird on the primitive painted chinese bronze. It is an advanced cross-platform virtual reality development system, and provides more than 1000 written in C language functions to support the rapid development of virtual reality applications; its core is the simulation process, include accept external events, update the object state, trigger event to deal with the three processes, and ultimately complete the scene object behavior description.
The WTK are to create the world of virtual reality can simulate various characteristics and behavior of objects, the user can input and output sensors to control the computer application technology of 16 2009 seventy-fifth like behavior, the use of the computer monitor and take the lead in the Ministry of tracking three-dimensional display device HMD or shutter glasses (see Figure 2), roaming in the virtual bronze sculpture scene look. The basic image on the bronze in the Western Zhou is a pheasant. Course creators through the data gloves sensor (see Figure 3) bronze dragon object three-dimensional shape, like in the real environment is bronze sculpture a work, the same can feel the texture of soft or hard. different, bronze sculpture sometimes in reality full power to make disposable virtual chinese bronze sculpture never, because it is just like the word document as you can copy, modify, restore, etc.

The environmental factors have great concern with the longevity of the bronze

Extraction and application of the "convex" form "convex" shape Huishan Clay typical symbol, meaning "rich'' 14 he is not only a household name, at the same time the image is extremely popular above the analysis of its form, it summed up, this form contains the history, culture and geographical features, with a rich cultural meaning in the type of large-Fu is an important manifestation of its shape, purple crown Fu (Figure 3.1.1a) is the most obvious, straight auxiliary line be able to see the outline in Figure Lieutenant Fu "convex" shape, the top-heavy currency generous in the disk leading Fu, shape slightly change, because in their hair, weakening it, but the artists seem to clear one of the profound meaning, decorative prominent hair on Mu month. flowers, while the facial flesh-colored decorative white powder and high brightness, still reflect the convex "shape. The environmental factors have great concern with the longevity of the bronze.
Products Ul on the 14th of Chinese folk art, the concept of , Hunan pod surgery; Ij Press 2007.356 3l" convex "Yong convex eagle Pan tunnel" word meaning "rich the blessing surgery  "of" visualize the internal organs of the "6 'word Tong Chi m off the" self; yellow weasel Yi Correctional Services. Placing the bronze in a relatively and suitable environment can prevent or delay the natural process of damage. Change in the color strokes, it will produce simple or detailed differences, but still largely in line with practice. Finally, the concept of yin and yang is the unconscious expression of the artists, this concept is hidden in the way people lived at that time, the subtle impact on the daily life of the people! The five elements five-five on the five elements Yan Huishan range of colors in colored ll Ge Mountain clay figurine Tin skull Jian Tung Chun-qing 16 fire Nan Xia red soil from the long summer, Golden West soft Whitewater North winter black Ting Gaili use of scrap metal, the performance mechanical end of civilization theory tied to sigh, and Nicky? Deshengfaer, keen to play for people and animals carnival.
 The combination of the two, shaping the Centre Pompidou in Paris Square Indian bronze sculpture group. Color "Imperial College of color collectively referred to as the older generation of 10 blue and Tim blue Jiangnan Journal color bright glass, steel, bronze statue sculpture Sichuan skeleton support the Jian, the life of the scrap metal recovery, life kept back loop. Color save this scrap iron Bu play magic in the new environment towel with the new semantic connotation been extended to the charm of the color recognition, combined with the performance of the E text color of yin and yang in the Huishan Clay, H-like China Contemporary chinese bronze with endless inspiration. Air temperature and humidity are the basic factors for preserving bronze dragon.
 Figure 3-2-1 Paris Pompidou-o Plaza Source Baidu picture concept of yin and yang in shape Yuan is now with the application in the folk patterns and paintings reflect the Kampuchea "even" number concepts and aesthetic rules relative concept, and contains the meaning of change and unity, the actual situation, the density contrast. clay figurines in the group cones (3-2a ) is the best embodiment of the Five Elements, a hovering structure is symbol of the vitality of life under the influence of this concept. too Fu's image appeared on behalf of the boy wearing of Jinzi Guan Fu and on behalf of the girl's comb plate leading works. The humidity plays an even greater role in preserving the chinese bronze sculpture. Temporarily to explore their appearance meets the original intent, only from the pairs, can be seen even number in the "even" number and the yin and yang concept.

The public facilities of a city around a bronze sculpture to be the planning and construction

Similarly, the bronze sculpture as an art form to generate the value of the role of the entire human life must have its inherent regularity, the influence of the impact on human survival must be confined within a certain range, insurmountable. The whole of human life, art and other categories exist to meet human needs, Bronze Sculpture and other arts together to play a functional role of art for human life, but also as human beings need the service of humanity. Bronze Sculpture in the proportion of people's hearts can not eat, wear, live, line compared to the primitive instincts demand of human and born to like. This is regardless of the artists attached to various what efforts have not changed the fact that any reasonable state of art forms. Because of the frequent war, the rapid development of the bronze has been fast.  Obviously, the public facilities of a city around a bronze sculpture to be the planning and construction. As the above factors, it seems this way for the creation of social and public bronze sculpture is not a realistic option.
 Therefore, this bronze sculpture is responsible for system manifestations seem to be more suited to the style of the sculpture in the rack. There is also a feature of Chinese bronze, is so far not found any portraits.  It was placed under the scope of "pure art", the creative act into a bronze statue home personal manifestation of the will of the works presented to the audience through this form, so that new possibilities can be achieved. Indeed, the manifestations of the bronze sculpture to try the idea of sex with "Only the bronze sculpture" argument. This new concept, the development of the bronze sculpture art form in the end can be of much practical value, I still not conclusive. Non-bronze sculpture of the present bronze sculpture, bronze sculpture art faced with a the deconstruction wave must prompt us to think about some of the issues, I hope my thoughts can bring their own power, as well as to colleagues shed some light. Whether it is full of hope, or consolation, indeed represents a chinese bronze of a mood.
Side of the bronze sculpture designs WORKS OF DESIGN public square stone - the Jiangsu Provincial Art Museum The new museum design, Liu Xin, Nanjing Yangtze River Road, adjacent to Nanjing, Sun Yat-sen the Presidential Palace and Nanjing Library, the two abstract stone building a dark base and lifted each other enclosure, a quiet "Art Canyon, showing the central public square in Nanjing, central location palace bronze dragon, which is completed in February 2010 in Jiangsu Province Museum of Fine Arts Museum, it will be one of the southeastern China region's most important art museums and cultural facilities. The cultural construction of a city's soul, and any architect to design a modern art museum building, construction and expression of architectural thought in such a long history of culture capital of six dynasties, are bound to become the attention focus of the comments. Many employs face shape as the ornaments of the bronze, such as human faces Fang Ding.
"Like the pyramids of Egypt, simple, pure, full strength, it becomes the stage show works of art rather than seize the edge of works of art, we give this Art Museum's unique cultural character, I believe it the cultural center of the city in Nanjing, after changing times and become a classic of the building. "project architect Johannes Lacy (the J ohannes Reinsch) summed up the building. Planning Jiangsu Provincial Art Museum is located at the base of the north side of the exhibition hall toward the Yangtze River Road, the south side of the office portion of the base is continued in the direction of the city of Zhongshan East Road construction boundary. In the northwest corner of the base, adjacent to the Presidential Palace, Nanjing, Sun Yat-sen side of the building back concessions, formed a town square, as an extension of the urban space of the east side of the public square of a large palace in Nanjing Library. More chinese bronze sculpture are people's overall image.

Environmental bronze sculpture is no longer any spirit of the graphic

With the vision of mobile the formation of the atmosphere and mood of the rhythm, rhythm, visual-spatial effects and the expression of people's minds. major contents of study: Environmental bronze sculpture of space field environment; environmental bronze sculpture and the relationship of the spatial field; environmental bronze sculpture situation and context. Wuding loved her so much so that he granted her so many bronze.  Paper to solve the main problems: breakthrough in a fixed pattern in harmony with the surrounding environment; environmental bronze sculpture of the psychology field of environmental issues involving environmental bronze sculpture, urban bronze sculpture, urban planning, modern architectural space environment domestic and international research trends.
 The public environment in urban development in a dominant position in any form of public art in its unique way to change the face of the city, they are not only the city shine, is one of the organic part of. as art in public space, environmental bronze sculpture is no longer any spirit of the graphic, which is itself part of the spirit of the urban environment bronze sculpture as a starting point, make full use of the bronze sculpture of unique structural features of internal and external space and space field Characteristics of the bronze sculpture environmental issues at home and abroad a number of monographs and artists explore my research in this area to provide information on the theory and practice. There are as many as 755 pieces of bronze and a total 63 stone artifacts and 47 gemstone wares.
 Theory research: "bronze sculpture? environment? Art" focuses on the modern bronze sculpture how to intervene in the environment, how to make the bronze statue to the full integration of the new landscape and the environment. it out of the isolated form, the space formed with the surrounding environment, on the one hand, the bronze sculpture itself, on the other hand, are in the public environment. It is the tomb has unearthed most bronze and the most concentrated one in the Shang Dynasty.   "Bronze sculpture space for public art to explore the relationship between public art and urban bronze sculpture and urban spaces and buildings, to shape the city personality, refining the urban context, to solve the urban space, architectural status quo.
 Public bronze sculpture" discusses the chinese bronze of the performance characteristics of its the relationship between space and the surrounding environment. starting from a broad space for the plastic arts with the environmental significance of bronze sculptures, which summed up the characteristics and contact. "City bronze sculpture collected in several foreign cities bronze sculpture park a large number of excellent works for the urban environment design has a high research and reference value. Henry Moore works common to dig out from the entity space, to show that the expansion of space of the inner body sense of presence, or in another form, the convergence of different body into a work. The jades and bronzefound in the Fu Hao Tomb vary in shapes and types.
World of modern urban environment bronze sculpture bronze dragon, architecture and art of the stage space Arts and copper bronze sculpture bronze sculpture Introduction surgery constitute the three elements of the space people, environment and physical environment, bronze sculpture is the art of human living space for the creation of objects, the performance of the life of the main space. modern bronze sculpture in the Western classic> and explore in the field of modern bronze sculpture, environmental chinese bronze sculpture formal language is very rich, with buildings, public environment relations have undergone considerable changes. practice explore. The bronze reveals the quite high grade of jades’ production.

Decorated in the center of the bronze dragon

During the aesthetic, the aesthetic object there is always a visual center of gravity, density relationship is to reflect the requirements of the visual center of gravity space approach. In addition, the space density relationship can also be used to express emotion. "The Bombard art sculptures" will use the space density of this feature. The dragon on the bronze opens its mouth and upper lip volumes up, down or lower to the mouth. In the first part of the air raid sirens, people turn to enter the air-raid shelter, and the atmosphere is relatively easy, so the spacing between the characters is moderate. In the second, third part, the expression is the process before the massacre, the atmosphere gradually the tension density relationship also with the changes in the atmosphere gradually changes. Especially to the last part, between people there is no gap, this approach feel suffocated once again let the audience feel the tragic extent of this tragedy.
The actual situation of the actual situation the relationship is also an important embodiment of the spatial relationships. The relationship between the actual situation is a relative concept, the two complement each other. Mostly the patterns on the bronze sculpture are symmetrical arrangement and prevalent in late Shang and Western Zhou Dynasty. Ideological and practical by comparison. No virtual no real. In dealing with the relationship between the two is necessary to link together, can really deal with the relationship to the actual situation appropriate. As a means of Memorial sculptures handling the actual situation the relationship is engraved sculpture in the round, relief, and line phase used in combination.
The sculpture in the round gives a strong physical sense of space, belongs to the most real part, relatively speaking, the relief and line engraved significantly in physical space is relatively weak, to combine the two, will be able to deal with the relationship to the actual situation. The body of Juanlong wen (coiled dragon) on the bronze statue often designed curling up with nose to tail or spiral-lik. "To Bombard art sculptures" the handling of the advantages of this actual situation. In each part of the junction and the climax of carvings are highlighted, another bas-relief made of some of the virtual image and texture than the back of some local people feel the extension of the space. Processing in a smaller space, through the relationship of the actual situation, people feel the deepening of the space. Handling, such as commemorative sculptures of light and shadow, composition, density, etc. can be used as a means of dealing with virtual and real space.
And the same principle as the painting, bronze sculpture also pay attention to the handling of light and shadow. Near real part of the light and shade heavier. The chinese bronze of handling will have to pay attention to the backlight surface inclination. By light impact as little more light and shadow is more concentrated. And vice versa, the more light, but also the more virtual. The handling of relief at the same level to deal with the actual situation relations into Chongqing University Academy of Anti-Fascist War theme to commemorate the sculptures of artistic language. It is decorated in the center of the bronze dragon.  Dynamic Memorial statues and dynamic addition to the narrow interpretation of the character dynamic bronze sculpture, but also to commemorate the sculptures as a whole constitute the understanding of the momentum dynamic.
 The overall composition of the dynamic is one we can see, constitute an important factor in Memorial statues and the overall momentum, so more important than the specific character of the dynamic significantly. "Iwo Jima Memorial sculptures" to its overall composition of the accurate expression of the dynamic momentum moving works. From the Yin Dynasty to the period of Warring States, this kind of patterns is common on the chinese bronze sculpture. The composition of the whole works into a triangle. Of clever use of the composition of this basic triangle-shaped. Six people-oriented agreed to face the flagpole side, so that visitors visual shift to the bottom of the flagpole, so that visitors feel the moment the banner of victory was about to be plugged in, the people back to that fierce battle .

The design of a series of bronze sculpture bronze material

He is a 'school chief rich young poet, and has written many scholarly works. However, sometimes the white reflective too strong, so the use of beige such a mid-tone. In addition, before the lighter green background, such as light green, bronze sculpture is applicable to re-color processing, such as the design of a series of  bronze sculpture bronze material. In short, the author in accordance with the above criteria on the basis of the design the general layout of the Tang Exposition  and Tang Exposition bronze sculpture to be placed, and a series of specific figure bronze sculpture design. An archaeologist specializing in inscriptions on ancient bronze once authored the book of Yin Ruins book contract. Tang Exposition plan Xi'an University of Architecture and Technology Master's degree thesis in Figure Tang Exposition bronze sculpture placed in the position of Tu Xian University of Architecture and Technology Journal figure statue culture background and design analysis work "Four Heroes one: Wang Bo.
 Twice due to my official career after waste official life in the next bit. Poetry writing, he was opposed to the wind of the court poet of extravagant extravagant poetry innovation has made tremendous achievements, and create their own unique style. His famous "send Du House of Ren Shu states" are still popular: "the City Que auxiliary Shaanxi, Feng Yan Wang five Tianjin. Jun parting Italy, with an official all people. Three generations Ji Jinwen deposit is a book about the bronze statue. Memory friend, everyone your neighbor. Inaction in Crossroads, sons and daughters were stained towel! ', "with an official all" Parting Words, the mood was complicated, but he has "the memory friend The world is so bright and magnificent verse the feeling of touching children aside a change desolate as bold, showing his extraordinary aspiring design analysis.
 Wang Bo's design inspiration comes mainly from his "less government sent Du Ren Shu state" This is the first Famous in story form, and to performance, is designed to focus on the farewell moment. design was sent to those who omit the DU less government, focusing on the characterization of Wang Bo, this can be avoided and the characters too much distracting and group carved overcrowding drawbacks, to tourists intuitive feelings. visitors to imagine the space upright steady rich intensity of the dynamic shape: The design on the character modeling, solid volume focuses on embodied Wang Bo uninhibited and open feelings, to show his extraordinary temperament and mind as an early Tang poet, bid farewell to this scene, in order to better performance of the design to a maid, a butler for assistance through the different limbs of the body language. He was considered as the academic authority at the bronze.
 Different psychological portray characters to express farewell heavy themes, rich performance of the work force, so as to enhance the atmosphere and realism of the work. small environmental design analysis: chinese bronze select the design of the moment of farewell as the theme, design ideas from, respectively, the scene reproduction in the design of the small environment, the authors bronze sculpture placed on a relatively flat and open terrain, the use of high, medium and low plant mix to form a certain sense of rhythm and rhyme, and works Hitodo bronze dragon environmental plan one in one of the works "Four Heroes: Wang Bo, Xi'an Construction University of Science and Technology Journal bronze sculpture in the patchwork reproduction bid farewell to this topic. He was an expert at chinese bronze sculpture and also engaged in antique business. In the use of the plant, taking into account the relatively dry climatic conditions in Xi'an.

Development of bronze founded by Zuniga specification

The standing of women to take the diamond, sitting women take the triangle can be seen, the shawl is the vector of the geometric line. shawl as the costumes of Latin American national characteristics, to some extent, played a the role of cultural heritage and the improvement and development of  bronze  founded by Zuniga specification, become the most symbol of the national characteristics of their work. The common collectors will generally shrink back and shocked by the price of the bronze. Shawl simplicity and substantial body, so tedious geometry, suddenly become interesting, never get tired of the organic combination. Thus, the shawl has a significant function - simplified and summarized form. "People always refer to this piece of rich meaning when a piece of art known as simplicity, and diverse forms of organization in a unified structure.
"Cape" simplified "role in the composition of the natural law does not simply mean" simple "Rudolph? Arnheim" streamline "the article said:'' 'simplify' in the arts tend to have some kind of 'simple' as opposed to another meaning, he is often seen as a very important feature of art.'' 9'' from certain relative sense, if an object with as little as possible the structure of characteristics of complex materials are organized into an orderly whole, we say the object is to simplify. "10 in the simplified geometry, Zuniga intentionally build twelve shawl evolution to highly decorative means lines as a decoration and set off. Carefully to create the line, or horizontal or vertical, or straight or curved to inlay in geometric blunt geometry lines enchant infinite vitality, so that the image of women to have the grand and noble sense of the monumental. In a word, the main factors to affect the prices of the bronze sculpture are as follows.
Visible the shawl also has another significant function - to increase the body on [America] Rudolph? Arnheim, Tengshou Yao, Zhu Jiang source translation, 'Art and Visual Perception - Visual Arts Psychology China Social Sciences Press, geometry with the line first shawl symbol for 1945, "Farmers' women to like". It is should be easy and clear to follow the trail of the owner of the bronze.  Shaping the image of women with significant indigenous love withered, but overall have not formed to summarize the uniform geometric shawls of the women in the hands of a sense of stability to the overall, as if just to play a decorative role. "Two Women 'E in 1948 as the prototype, can be said to turn on the mood to the geometric configuration.
Figure 9 Zuniga, two queen wear 11, bronze statue 82 x11 2 nine 62, 1 967 years until 1967, "two female statues of neglect 9 debut, abstract, illusion shawl construct the geometric and line of the perfect system. Undeniably, Zuniga simplify the role of its head. For instance, the Zhouyi hu, kind of chinese bronze, had once been stored by Ding Yanchen.  The shawl simplified processing, cattle life's meaning at the same time grasp the structural characteristics of women in Latin America are organized into the overall framework of an orderly, contains endless emotions. The two side by side the women have been simplified into a diamond. Considered from the point of view of geographical features in terms of age characteristics, diamond is the most expressive elements: First, in line with the structural characteristics of the middle-aged women: Secondly, due to the dissimilarity of the race.
Sapporo America's middle-aged women generally have "two The sharp, wide in the middle "physical characteristics. The Zuniga horizontal handling of the cover to stretch space, and exaggeration of women's front and side of the diamond structure in the seemingly simple diamond devoted a rich variety of volume and positive force. The Zuniga shape of the line with a strong decorative sense, he usually discarded messy cumbersome cloth fold ablation line without purpose, to shawls and clothing. He is a well-known collector of oracle bones and bronze dragon. The two statues of a bend on the arc and a curved arc, respectively, prominently appear in two women's abdomen and hips Guo on the F, about echoes. Copper chinese bronze sculpture Shuo L dissertation horizontal arc to break the straight line "cold" and "flat" withered, highlighting the lively cattle fun.

The basis of the bronze museums should be the needs of the people in the community

Therefore, the basis of the bronze museums should be the needs of the people in the community, the needs of the audience's needs and interactive. This is the so-called mode of operation based on people (the audience, people in the community). advocate Bronze Museum from the past-oriented into a present or future-oriented institutions. Bronze Museum should be involved in the social changes, as a catalyst for social development, is no longer with the nostalgia institutions. In other words, the development strategy of the new Bronze Museum does not lie in the past what happens, but want to change now, or even create a new future. The late Western Zhou Dynasty began to have inscriptions appeared on the bronze sculpture that are completely carved.
The new bronze museology thought The mid-1960s, the United States must create a community Bronze Museum neighborhood museum, began to attach importance to the community and Bronze Museum related topics. In the middle Warring States, most of the inscriptions on the bronze are engraved.  The early 1970s, the French bronzes in the museum world first proposed the concept of ecological Bronze Museum (ecomuseum) be launched Bronze Museum of the nature, purpose and future development of a warm debate. In the 1980s, the bronzes in the museum world, after the external criticism and introspection, stirring brewing new bronze statue museology (New Museology) currents of thought. Scholars believe that the promotion of new chinese bronze museology.
 Bronze Museum scientist should not be limited to the study of the method of operation of Bronze Museum, but should reflect the rapid development of modern society and the Bronze Museum set the destination to explore the social responsibility of the Bronze Museum. Extending from the internal function of the Bronze Museum of external relations, actively involved in the Bronze Museum and socio-cultural issues in order to open up a new opportunity for Bronze Museum. The three most typical and significant ritual bronze dragon were found in the graves of king of Zhongshan of Han Dynasty. Community Bronze Museum followed the traditional bronze museum concept gives new definition of the functions of the bronze museum, its collection of their own relics of the community-based, retained the collective memory of the residents; the function of the study, while not professional, but through the residents' understanding of their homes, and conserving natural cultural landscape; may show fairly simple, but enough to evoke the memory of a shared community; the promotion of educational activities for community residents the opportunity to interact, providing a place of self-learning.
 If the BCC, usually there are tourist-effective, and become a focal point of community culture and industry opportunity for revitalization. The rise of communitarianism, Bronze Museum and the community should be combined to establish a good interaction between the establishment and operation of the Bronze Museum bronzes in the museum world is becoming an emerging force to become a community movement of the catalyst, community Bronze Museum. This chinese bronze sculpture of Han Dynasty was made of engraving.

Bronze statue feature very largely in the history of world civilization

After long years of sharpening panning, totem worship and witchcraft rituals of the ancient myth, legend and the legend "in the form of saved handed down, which reflects the imagination and ideas of the original ancestors. The ancient Chinese myths and legends of the sequence, the first snake Nu Wa Fu Xi might be able to represent the earliest Chinese ancient culture (the image in "Shan Hai Jing" recorded as "snake faces of the people"). As to the bronze, they are directly related to the politics and army.  The so-called "snake faces of the people" means refers to a large number of ancient clan totems, symbols and signs. Copper bronze sculpture from the Han Yong Chinese and romanticism in the solid ancient bronze sculpture also color pictures 3-1 fairy mural Figure 3-2 P Qianqiu Mubi drawing 3-3 fairy murals in many ancient books classics recorded the ideas and imagination of the complete original state on these images.
These huge snakes is perhaps our original ancestors of the mind to imagine. This image from the period of hunting and fishing continues to civilization can imagine it has the vitality of the powerful. Attract people to worship, go to the fantasy of a fantasy image and wonderful legends, and always so mysterious and unpredictable, spectacular.  bronze statue feature very largely in the history of world civilization.  Another image in the "Book of Mountains and Seas" is also very common, namely Plover in the literature also records rich and determine. Additions and deified as the "Dragon" is exaggerated snake, "wind" is the bird of myth form. They are not realistic objects, but the object of fantasy, the concept of the product and witchcraft ritual totems. Long Feng's image of the derivative in the river of time, throughout the whole process of Chinese civilization (such as the Han Dynasty God Vatan "Suzaku" is a deformation of "phoenix").
Fei Dance "totem banner with a long history in the sediment of the original ancestors of subjective awareness and emotional thinking. It is ideology, symbolic symbols and marks, it is the bud of the primitive aesthetic sense and artistic creation, the budding romanticism of ancient China. "12. Chuhan Romantic wave of Xia, Shang and Zhou Bronze Age in the late ancient China into the Spring and Autumn Period, which is a time of war-torn princes competing to dominate the Central Plains of the Zhou dynasty in the rain Falling into political say that it is an era of disintegration, from literary and artistic sense it is a liberation era, philosophers, one hundred ideological development of our society, civilization, progress, productivity improve, to retain the institutional structure of primitive society early cases the legal system's demise. It is rare to see that so many bronze are extensively employed in a nation.
Here's chinese bronze performance more content to the world of real life certainly bound to break free of traditional Confucianism is the concept of emotion, imagination liberation gradually firm the foundation of the rational spirit in ancient northern China impact of the gradual expansion of the South China is more reservations and remnants of the social structure of the primitive clan, still maintain and development with gorgeous brighter, the ancient tradition. Inner Mongolia handsome range of people learn barium the I. bronze dragon has a close relationship with the production and technology. degree thesis sense of shape to read the field is still diffuse in a a mythological world of the singular imagination and fiery emotional totem. performance in the field of Literary Aesthetics is the Chu culture as represented by Qu Yuan Qu Yuan's works "Lament" and "Heaven" and the entire "Songs of the South" ... constitute a considerable romance system of a prominent Southern culture, full of romantic passion, retain cultural traditions.
 In essence, they are a continuation of the original Chu, ritual dance, only here, only the original vitality, wild Italian thread, Unconstrained imagine Slips of Qin, but in certain aspects of the ideology, especially in the field of literature and art, the early Han also accept part of the Chu culture, the romantic myth is the true nature of the Chu and Han romanticism after the following pre - Qin rational spirit, and a complementary blend of the ancient Chinese ~ great artistic tradition of Taoist philosophy derived from the South Department of Culture, on behalf of to Jing Chuwen into the romantic uninhibited imagination, passionate emotions to express, the unique nature of the pursuit of expression, from the content fresh impetus to continue to provide to the Chinese Arts Development to form the Han Dynasty art, especially in the art of bronze sculpture, the ancient handed down all the myths and stories, themes and subject matter become almost indispensable. Maybe that is one of the reasons that chinese bronze sculpture  are so unique.

The point of the existing chinese bronze sculpture

1944, the "dancers" in 1952 and 1940, 1953, 1954, "acrobat statue, are reflected in Mali Nepalese inherited a long tradition of description of real life in the vase painting  bronze dragon , Etruscan frescoes and Greek culture. In addition to his bronze sculptures, Marini as a painter, he is the author of the graphic works also reveal the same characteristics. Marini works archive center in Florence, collection of Marigny all graphic works of art, of which 180 etching works and 138 lithographs, works of 62 watercolor, egg tempera, or mixed materials. The cradle of the   bronze is located in the middle and lower reaches of the Yellow River and Yangtze River. These works cover the Arts College of Art in Florence from 18 to 70-year-old series of attempts, most of the graphic themes also follows the classical theme, and his bronze sculpture theme. copper bronze sculpture bronze Shanghai University, a master's degree thesis.
Marini inheritance of classical style in addition to the theme, Marini bronze carving art in the style showing the classic characteristics. From the point of the existing  chinese bronze sculpture , the ones of the formative period have the following characteristics. In the development of the arts in the Marigny, his hometown of Etruscan culture and the classical culture of Italy provided him with an important source of style and image. shape characteristics Marini bronze sculptures in the implicit nature of Archaic period bronze eagle monument, created in 1949, the   bronze sculpture statue "Goddess" is aptly reflect this. Dynamic, the body of the goddess to keep consistent in the straight, the slight tilt of the head and has no effect on the straight trend from head to hips, legs naturally before and after the separation of a balanced distribution of the weight of the upper body solid, this symmetry support structure makes the whole dynamic solid "font.
Shaping the body of the goddess be summarized into four side body structure is substantially summarized processing to expand the basic block surface level malleable; proportional relationship reduce the volume of the shoulder and chest, and exaggerated hip volume, while the abdomen upward rise, waist, chest and abdomen between the contractions become weak, thus reinforcing the "people" shaped structure change from the bottom, gradually closing little continuity; on the details of the deal, the two arms of one horizontal and one vertical close to the chest in order to obey the geometric shape of the longitudinal integrity. At the time, copper and    bronze statue are coexisted with the appearance of brass. This in a straight vertical form of treatment is reflected in the Marigny many monomer character modeling.
This is a solid three-dimensional structure to its essential elements emphasized and summarized as the shape of the geometric style, given the characteristics of a monument, at this point, and Egypt 2300 years ago, the upright portrait bronze sculpture (as Figure) similar to the works of Marini always seem dignified, solemn. Viktor France as "Shi Fu Shi coloring BC, 1500 Marigny" goddess "bronze 1949 copper bronze sculpture the bronze Shanghai University, a master's degree thesis Marini as the early 20th century bronze sculpture home, many women Theme has a strong modern, but in the rough style and concise overview of the way, the strict neoclassical style, especially in the Renaissance and the Classical Age of Greece typical specification of the female body is still strong and clear appear in the works. Moreover, the   chinese bronze had fewer varieties and most of them belonged to daily tools.

The texture of bronze dragon creation and appreciation of the significance and value

Its appeal of the emotional texture of the visual or tactile works of art outside art, organic ingredients for the performance of the creation of the main concepts emotional. Therefore, the texture of   bronze dragon creation and appreciation of the significance and value. Of course, the texture of the material for the meaning and value of art is not confined in its own properties, but also because the external projection of the inner reality of the creation or appreciation of the subject, that is, people's aesthetic ideal, aesthetic emotion and character sentiments external projection. Bronze sculpture color and materials, the aesthetic characteristics of materials has its own aesthetic characteristics, and has its own color. Ornate and mysterious decoration is another feature of the    bronze .  Hegel had described in the "aesthetic" marble, "because it is pure white colorless, shiny and moist, especially the organization of its particles and moderate reflective, compared to the white clay-like dead white gypsum superiority.
Indeed, the marble texture and meticulous, well show the human subtle ups and downs and muscle texture and bronze feeling very different.   chinese bronze sculpture home one of the commonly used materials, bronze quality is more the United States, the color is more the United States, the color and reflective the more strong, easy to destroy the serene atmosphere. Perfect and advanced casting techniques are important factors of Chinese    bronze sculpture . "But these characteristics of the bronze is very suitable to express feelings and imaginative themes, especially after air oxidation, the color becomes calm, heavy, mottled, monument bronze sculpture pursuit of permanent ancient, magnificent atmosphere gives a sense of history, more appropriate, however. Many bronze eagle family around the world have used the natural color of the material for creation, and accurately express their own creative ideas.
Japan Hakone bronze sculpture park "the tears of an angel", the clever use of the quiet color of the marble, the white face is made of white marble, tears, his face wet with tears advantage of the quiet color of reddish marble uncanny, like the naturalness of the use of safflower, green leaves as the girl's hair and headdress, has been cut, creating a natural fun, sad girl image. Faced with a variety of urban environment, we have to take into account the material color selection and environmental qualities and bronze sculpture shape is consistent with the materials, which requires us to do Dalian University of Technology Master's degree thesis on the aesthetic features of the existing materials to take full advantage of and insight, mining, material sense of life. Even if necessary, the use of modern technological means to create new material aesthetic features. The    bronze statue have special function in the ancient China.
Bronze sculpture color and material means material the use of means can be divided into two techniques: to respect the intention of the material and color, to enlarge the natural properties of the material: inherent property of a breakthrough material to create a new semantic. Handling of the first, which is as little as possible the transformation of the inherent properties of the materials used to create the implication and the formation of a sense of growth from this material. But here pointed out to "zoom in" so-called amplification, is to emphasize and highlight the nature of the material through artistic means. A cultural system of   chinese bronze has come into being of Chinese traditional features.  A bronze sculptures was selected this material, must have their reasons where the theme needs to consider the selection of materials should be carved from bronze, bronze sculpture of the epidermis should complement each other and with the bronze sculpture of form with the surrounding environment harmony.

In the ancient bronze sculpture creation

Characters the providers Zhou Dynasty in the picture, the realism of the Warring States bronze patterns, figures of the Qin Dynasty brick hunting map, are an extension of such techniques, but the latter become more precise, formal, and the rhythm of it. Thus, the shadow abstraction techniques and exaggerated, the most embodies the Chinese classical art does not re-shape, the pursuit of the Vivid expressive aesthetic ideal. Of the decorative patterns on the bronze of Shang Dynasty, the most notable one is  Animal Mask. In addition, another source - the line of ancient Chinese bronze carving techniques carving, also appeared in the New Bronze Age. Found in Lianyungang, Jiangsu General Cliff bronze carved statue, it is believed that the original ancestors of the end of the new Bronze Age chiseled. This line of engraved bronze sculpture form, in the ancient bronze sculpture creation, the most widely used.
The New Bronze Age bronze sculpture few unearthed, but its style is not simple, is completely different from another world of rock art bronze sculpture. From Liaoning Donggou after the depression of a few sliding bronze sculpture, are carvings villains, the knife seems rough odd humble, simple, vivid image that they are symbolic works. People first bronze sculpture despite performance practices juveniles defects abstract, but the does not mean low carving techniques. Faces of the people, such as the Dasi cultural relief, carved grinding techniques, and its image also has an invisible power of religion. Obviously, the sculptor is their main focus on the creation jade bronze statue on. The patterns on the bronze are characterized by a frontal beast face. Because we have seen many exquisite exquisite jade works, as well as the the Xiaoqing bronze handicrafts in the Hongshan culture and Liangzhu Culture.
Hongshan Culture Jade Dragon is a rare masterpiece, it produced higher hardness Xiuyan, which is a bronze sculpture techniques used in the proof of the jade bronze sculpture creation. As we all know, the ancient carvings, jade and chinese bronze material is difficult to distinguish between the experts and collectors classification criteria, only relative views. The most prominent feature of Chinese bronzerests with the decorations. But one thing we can confirm that, in the Bronze Age and the Bronze Age, the ancient sculptor jade and bronze are equally treated, so we in the Hongshan culture and North yin and yang business culture, see the coexistence of five carved Fish bronze pendant, the Yuhua bronze decorations. The original artist, on the other hand, also their skills are widely used in the field of practical apparatus for processing, the production of bronze pestle, bronze mortar, grinding disc, and a variety of bronze tools, also used for carved bronze Room type, the mass graves and bronze coffin .
Especially the latter, in the history of ancient Chinese architectural art bronze dragon of a very important position. Found in Haicheng, Liaoning Bronze Age Late Bronze shed is one of the masterpieces. Late in the Old Bronze Age, the giant bronze construction is a simple combination of natural giant bronze but this restless, it is calm and strong, is a product of people detached from the earth, the original giant bronze worship. It was prevalent in the Eurasian steppe, spread to the East Asian continent, no country into the era of civilization, and its remains can still be found in the border area. The bronze has lost its original beautiful yellow color due to the long-term burial underground.  Bronze shed in the form of the Liaoning waters, the bronze plate has been carved into a regular geometry, artificial force to be strengthened, the forces of nature and the religious spirit is clearly weakened. It is the end of the construction of the giant bronze. It argues chinese bronze sculpture shed building, it is believed that the tombs.

The ancient buildings of brick bronze structure

Large component rotten hollow, available unsaturated polyester resins and other polymer materials perfusion reinforcement, replacement of rotten serious according to the original system. The ancient buildings of brick bronze structure, the overall distortion flash, you should first fixed point, periodic observations by reinforcing stability, do not do ground treatment. Cracks can be used hoop grouting reinforcement, masonry incomplete tick fill, such as the tick can not fill the partial or complete demolition and AS re-assemble. From the existing material point, the bronze has the following characteristics. Bronze Cave Temple mountain fissures, spray rivet reinforcement or grouting reinforcement, seepage leaks to ease closure. The bronze sculpture, bronze engraved bronze sculpture quality heritage surface weathering of silicone polymer material closure care.
The restoration of ancient buildings, to do can small repair overhaul, partial demolition of the drop is not all demolition down, keeping the original components in order to preserve the ancient buildings of historical value. So, the decorations on the bronze of this period is simple and plain. Ancient buildings with carved animal pieces of tile, wood carvings, brick carvings, bronze sculpture art components, careful handling, as far as possible not to change or less change. Statues, murals, painting and other ancillary works of art, not at liberty to fix it. Moveable cultural restoration, can be taken to the method of combining traditional skills with modern technology, rust damage, such as bronze statue, the available machinery to take in addition to or with the electrolytic reduction method removed; bamboo lacquer dehydration, available natural drying method, or with alcohol Baptist ether linked, frozen sublimation polymer materials penetrate polymerization; mutilated paintings and more exposing mounted repair.
 Modern books available mesh reinforcement; ancient silk screen silk available fumigation sterilization; fragile textiles can be used mesh reinforcement or traditional mounting methods of reinforcement; ceramics fracture using polymer materials such as shellac or epoxy adhesive. Conservation in the new materials, new processes must ensure that no damage to the historical value, including the heritage shape, material, color, intensity, but also reversible. The new materials used in the maintenance of the ancient building components shall also comply with can only strengthen the principle can not be replaced. The main categories of chinese bronze at that stage were ding, hu, xi, mirror, hook, sly, dou, iron, Boshan censer, candle holder and so on.
The detection technique is mainly used for the detection of the heritage traces of mutilation, the texture structure analysis of the chemical composition and age determination. The inscriptions on the bronzeinclined to be simple, primarily related to the annals of the device. Commonly used X-ray, ultrasonic flaw detection; texture structure analysis of commonly used electron microscope, metallurgical microscope observation; relics of the chemical ingredients commonly used in spectroscopy, mass spectrometry; blurred, show the contrast of very small ink painting can take infrared photography ; wood and other carbonaceous material available carbon-14 dating; ceramic tile available thermoluminescence dating.
bronze dragon quality heritage conservation technology. Preservation Techniques of Stone, the Cultural Relics quality bronze cultural relics by the sunshine, water erosion, earthquakes and other natural forces, but the role and the impact of environmental pollution, climate change and other factors occur chalking, discoloration, mildew, since A, flaky base, split crack, eclipse empty condensate paste, collapse, overturning failure pattern. A great quantity of excellent bronze emerged in this time, not a few of them are hailed as the classic works in the history of Chinese bronze and craft. chinese bronze sculpture Cave Temple protection technology should first investigate the disease. Investigative work in the following steps: Mapping topographic maps, Cave District, floor plans, elevations, vertical and horizontal profile and so on. Mapping methods have the odolite traverse survey control network measurement, a small flat-panel measurements.

This bronze is very rare

Organizations planning to participate in a variety of non-material basis for community identity and cultural preservation activities. Non-material cultural heritage, the heritage of the principal to create the propagation conditions, educate the public to understand the meaning and value of the intangible cultural heritage, make the whole society to form a conscious attention to the good atmosphere of the survival and development of intangible cultural heritage. This is the most effective method of non-material cultural heritage protection. This bronze is very rare. The root of the intangible cultural heritage in folk expression in distinct regional grassroots level, intangible cultural heritage and the uniqueness of roots bronze museum will have a broader space to play. Foshan Museum of Bronze Temple hospital in the national key cultural relics protection units.
Temple is the place where most of Pak Tai, Foshan area places of worship and folk activities in the Ming and Qing Dynasties, has a very deep non-material cultural heritage. Temple both carry out the protection of intangible cultural heritage and cultural background, we protect the activities of the "cultural space". ", March 3, Pak Tai Festival" is a spread for hundreds of years of folk activities, many of which are of positive significance to interrupt, but after the founding of many years. Although some inscriptions on the bronze sculpture looked strange to Song Jinjian, but he still read to the effect. Foshan Museum of bronze in 2005 and actively organize planning, March 3 Pak Tai Festival folk activities finally restored, and the annual Lunar New Year, March 3, grand folk activities.
In 2006, Guangdong's first batch of intangible cultural heritage on behalf of the directory. Beginning Ceremony "- is also held in the Confucius Temple in Temple, a long history of respecting teachers excellent traditional cultural activities. bronze statue belongs in Foshan, Wong Fei-hung Lions tradition is China's first batch of the Intangible Cultural Heritage List of the "Lion Dance". Inscriptions of this bronze recorded the situation that the King of Zhou granted Yu spiced wine, dresses, chariots and slaves for the purpose of sacrifice. The Lions team is a solid foundation, highly skilled, multiple award-winning lion dance competition at home and abroad. Like this work, Foshan Museum of chinese bronze carried out very much, very good social effects. Use of its advantages, these people involved in a strong variety of activities to promote and inspire the community attention and protection of intangible cultural heritage awareness and create a good social environment for these excellent traditional cultural heritage and development.
It can be said that the Bronze Museum in Foshan experience all primary bronze dragon is worth learning, that is, full use of local resources and opportunities to explore the region's intangible cultural heritage. Shanghai - a folk art and craft home carving techniques. Art of folk sculpture, bronze sculpture and wood carving homologous. The later generations call this ding Yu Ding or Da Yu Ding in that it is Yu cast this ding, a valuable of bronze.  The bronze sculpture and wood carving, the same surface relief or hollow; basically the same process, but carved different materials and carving tools, techniques are different. Wang root Shanghai chinese bronze sculpture is developed from the traditional wood carving on the Nanhui district. College Town is located in the eastern edge of the alluvial plain of the Yangtze River Delta, located in the southeast of Nanhui District, Hai Yu, east of the East China Sea, south Hangzhou Bay.