The role played by the relatively bronze art for short-term

Research should be run through protection in each period in the protection of the whole process, all saver. should scientific research based on different working procedures shall be in accordance with the object of protection provisions, but the most essential and basic procedures can not be omitted. When molten dancer sculpture is poured in, the wax liquefy and drains through an air escape.  Materials, the role played by the relatively bronze art for short-term. a long time the old materials and new materials to replace the replacement of the material has become a necessity in most cases the actual work on the angel statues protect reversible is impossible to achieve, at least can not be absolutely achieved, will inevitably lead to macroscopic irreversible because of the accumulation of micro minimum intervention should promote the professional rules, there is no significant risk to the part in the recent.
In addition to the routine maintenance should not be more intervention government intervention is required, additional means only the most essential part, and to minimize the use of protective measures, it is best to continue the status quo, to ease the damage as the main target. Later on, the lost wax casting came along, eliminated the need for forging for complicated bronze figurines sculpture pieces. Pay attention to repair the protective material itself, the nature of performance, focusing on conservation and restoration of the preservation of materials production process and its process, as traditional materials and production processes at the same time preserved. Routine maintenance is the most basic and most important means of protection, unswervingly on a regular basis the implementation of routine maintenance, the development of day-to-day maintenance of the system, periodic testing, immediately removed the insecurity and minor damage.
Second, the antique bronze to protect and repair technology and the theory of complexity of the means and standards are not absolute. on bronze body talk, bronze individual difference and sometimes great. by texture points combination of organic, inorganic and organic and inorganic; time can be divided into the Paleolithic and the history of the various periods of different cultural relics, color, texture, decoration, style, and so there are some differences; burial environment is divided into soil, underwater and when exposed saved. The dramatic discoveries of bronze sculpture and other treasures from the past are revealing the secrets of ancient Chinese world.  Implementers in terms of protection of personal aesthetic psychology and fun there is a difference. conservative, innovative radical; advocate contrast, advocates of coordination; advocating simple advocating decorative but we can only spirit able to demonstrate the historical authenticity of the bronze as a standard, rather than the pursuit of integrity, gorgeous and ancient tombs, ancient.
Best to do both scientific and artistic at the same time, make the repairs reversible. its ancient heritage, relics preservation is to retain the original of our cultural heritage is really the spirit of memory, more treasure to the ancient civilizations and historical resources. personal professional and expertise are limited, to recognize their limitations on the knowledge and methods and the same generation and lack of careful treatment of cultural heritage is the science of ethics and professional ethics, we save the workers should have a concrete manifestation of Conservation Science can not escape from a profound reflection on the discipline, can not ignore the technology. chinese bronze sculpture sculpture -making required a settled and organized society to finish the process.  If we can do the cultural connotation and technical skill by combining breakthrough cultural qualities of the limitations and the quick success of the shackles of the inheritance and innovation.