Both sides of the bronze mirror decoration design are acyclic with the decorative grid

Yong on behalf of Elsie's economic prosperity, the aesthetic will taste of real life is more intense, murals, sculpture, poetry and other art forms in this period, show this characteristic. Increase in so-called "life prospects" in the mural, and some religious subjects. Often independent stance has nothing to do with religion, the image of the sculpture also have a more human touch and intimacy. Statues become more benignant care for this world, no longer out of reach of the gods, but under the jurisdiction of the things can be to request authority to dominate. The bronze culture of the Shang and Zhou is a bright and marvelous pearl.  The poetry of this period, especially prose, the poetry of romanticism, realism abandoned the form of repeated over-elaborate. More directly. More specific way to reproduce the reality of life. o the social characteristics are reflected in the production of bronze mirrors, and the connotation of its ornamentation image naturally from the changes.
 Auspicious is no longer a worship of the fetish people bowed shy, lonely, cold, majestic world. But has lovely frolic interesting, in shape and flower leather organic together into a Mercedes-Benz in a secular society .... As shown in Figure 2-019, Inlay Goldsmith pleasures pattern bronze mirror decoration. Flexible composition, life scenes depicting the flowing lines of expression, rich flavor of life blowing. Figure 2-020 shows the prince of the Tang Dynasty Joe Chuixiao cited goggles. Depicted in the mirror -! The the nU Taoist story of 'historical records recorded in Prince Joe Zhou king Ling Chi eldest son, preferences field drains Sheng style of Ming, who was the wind to dance. People often travel in Iraqi water, the Lo area, after a Taoist priest {I to alpine Chenghe away. Both sides of the bronze mirror decoration design are acyclic with the decorative grid at the compositional freedom of a balanced, although a full, an ethereal, but also natural and smooth, the traces of life is obvious. The bronzeis not only the treasure of Chinese art, but also a precious heritage of the world culture.
Head 2-019 m cough inlaid with mother ± race music garbage actinide the basking Long 2-020 Don if Joe field drains Xiao Tang goggles by before and after stories of people mirror, mirror bird of birds around the squid mirror for decoration bronze mirror design mainstream content is close to real life. Among them, the myths and legends in the figures to put things in the mirror, the form of God. Cited tube underage good, 'heir actinide mirror history, in February '2008' slips, 2l, 78. 59 Shandong University, a master's degree thesis as no longer as mysterious and majestic like the Han Dynasty mirror. Patriarchal clan system hidden in the sacrificial bronze has granted China unique and peerless charm.  Not so much the performance of the Chennai worship God. As it is the desire Wichita reality 7 BU live in the myths and legends. More historical stories reflect the book live philosophy, living affirmation of reality cattle and yearning for better cattle live music mirror.
Boya playing the mirror and so on foot so; polo mirror, the hunting mirror more directly based on the rich taste of life real-world activities, and reveal the aesthetic orientation of the Tang Dynasty in real life: religious symbols mirror although religious symbol content. But it is also one aspect of social life, when the religious symbols are no longer awesome, but painted cattle living increase the blessing of the state of mind of Chi Sau. In addition, a striking feature of the Tang Dynasty bronze mirror is not the Han Dynasty mirror seeking official Chi Sau like the message of inheritance under Jian. Inscription band disappeared. What’s more, a variety of powerful countries were coveting these valuablebronze.  The message reads no longer appear. This probably reflects the satisfaction of cattle live in the Tang Dynasty and a very cold on the thinking of official position.