Monday, June 18, 2012

The structure of dragon patterns on the bronze sculpture


The atmosphere gradually became tense. Part III: Life and Death Tunnel, mutual relief. Although it is a tragedy but in the artistic expression, but the performance side of human nature glory. Part IV: the door of life and death, the tragedy occurred. Bombard art sculptures "(Figure 3.4) is for reference use of the episodic nature cavalier perspective, such as painting, the work is divided into several parts, these parts of the plot is an interconnected complete the process. Move through the vision of the audience, to meet the requirements of plot time art that can be achieved. According to the structure of dragon patterns on the bronze sculpture, they can be split into crawling dragon, rolled-up dragon. The cavalier perspective in painting as well. When it comes to depicting the Yangtze River chart can not be done in a perspective that conditions in centers, which need to move the point of view, so you can smoothly achieve the depiction of scenes of This is pieces of statues and works of several point of view of the mobile is a continuous whole.
 Work, "the Chinese people's War of Resistance Against Japan to commemorate the sculptures (Figure 3.3) N-sample use of the advantages of the statues and art performance plot. Just this plot of the performance and the the Bombard art sculptures in the form of expression there are some differences. Bombard art sculptures in two full pages of line of sight move through the audience. Interrelated between the plot is a natural convergence. Second Sino-Japanese War Memorial sculptures are the work is divided into four parts 38 and 2 meters in diameter and 4.3 m high bronze cylindrical bronze sculpture, bronze sculpture performance of the War of Resistance Against Japanese Aggression. See the Editorial Committee of the Ci Hai "Ci Hai" Shanghai Dictionary Publishing the first edition in August 2002, 2813, Chongqing University Academy of Anti-Fascist War theme Memorial statues and the main artistic language. Founder form of works in the square arrangement. Jiaolong design, two-head dragon and binary-body pattern and others are variations of dragon designs on the bronze sculpture.
 When the audience into them during a visit to see is a fragment, when the audience in mind will fragment into a complete image to form a complete plot. This is the principle of the film, made by the fragments of a combination. of the monumental sculptures of space language in the space language in the sculptures, in addition to the sculpture in the round and relief sculptures of the three-dimensional morphology of the surface morphology differences, should also be noted that the bronze sculpture body in space density, the actual situation and dynamic and other relations. Accurate grasp of these spaces shape factors is an important condition to do a successful sculptures works. Crawling dragon on the bronze sculpture was usually designed its side-view acting as crawl.  The density is very important sculptures by a number of characters, so to arrange the relationship between good character. Density relationship started doing sculptures should take into account the No density relationship between the characters arrangements do not meet the aesthetic habits.Art sculptures can take advantage of the continuity of their own physical changes to achieve the purpose of the performance plot. Relative to the anti-fascist such historical themes, the plot of the performance can be an important historical event was to show a complete process. Like the epic plot of performance. Bombard art sculptures is a group of sculpture in the round, high relief, bas-relief and line engraved with a combination of art sculptures. Rolled dragon or three-dimensional image appeared much often on the bronze sculpture.  At the same time, this group of sculptures show the whole process of a major tunnel tragedy. The works of the epic plot narrative is divided into four parts: Part I: air raid sirens, this paragraph sculptures work showing a strong flavor of life. Although the refuge, but did not see people panic. Performance of the Chongqing People's indomitable, optimistic attitude towards life. Part II: Life and Death Tunnel, began to feel discomfort.

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