The unearthed bronze sculpture at the Dayangzhou, Xingan has raised many academic problems

Wu should attach enough emphasis to the ancient bronze sculpture . Sanxingdui bronzes very famous golden scepter from the pit. Just one month after the first pit about 30 meters south-east, they found the 2nd hole. No.2 pit was rectangular, Hang Hau is greater than the pit bottom, bottom 5 m long, 2.1 m wide, deep 1.4 to 1.68 m. Does not include the thousands of pieces of seashells, the 2nd hole relics unearthed about 800 of which astonished the world of large-scale bronze, including 1.38 meters wide the bronze Zongmu mask, Bronze Figure of up to 2.62 meters and 3.95 meters high bronze sacred tree.
The treasures of the shock can not be privately owned artifacts, but the emperor and the state to have ritual statues. But all of these artifacts are ancient smashed, according to a certain sequence of incineration buy pit, which is why it? The unearthed bronze sculpture  at the Dayangzhou, Xingan has raised many academic problems.  Most scholars believe that the two pit burial pits. : Two pit towards the existence of consistency and Pit trenches and pit items ordered placed, the product of two pit is not random, accidental, and is likely to be the remains of ancient Shu State some kind of festival to stay The pit of the items are offerings. Smashed, burned and buried is likely to be the way of worship at that time. As for the worship of the reasons may be related to the survival of the national boat, such as regime change, regime change and other major events. Sanxingdui bronze statue group of the most staple and the most research value.
Sanxingdui chinese bronze group is a group of people pay homage to the authority of the idol, a symbol of the god, the only ancestors of God, etc., but also represents a class of kings and shamans secular leaders or spiritual leaders, showing the ancient Shu people of God one, a theocratic form of society and group relations. Its relationship with the Shang Dynasty in the Central Plains can be told by the bronze sculpture .  They unearthed to fill the blank of the Chinese Shang Dynasty bronze sculpture and early Chinese idolatry. The two pits of the Sanxingdui bronzes were unearthed over 50 pieces of human head, the head of these people face lean, solemnly, ear perforation, it is estimated to wear earrings. This mask high of 64.5 cm, 138 cm wide, wide mouth, large ears, ear diagonal stretch, greatly exaggerated, forehead, middle of the party hole, may be the original ornaments.Sanxingdui bronzes unearthed relics, the decoration of a large number of bird-shaped objects and a bird-shaped pattern. Closely related to the ancient literature of several generations of King Shu, Rubai irrigation, Yufu, Du Yu and so the bird. Display a bird body statues as a typical artifacts at the beginning, in order to show the things of magical, ancient Shu people of God interoperability features of the times. The facts tell us to study the bronze sculpture of the Shang civilization. First unit: the gods of the country - the first unit: the gods of the country - the mysterious primitive religion, the excavation of two large sacrificial pits of the Shang Dynasty in 1986, more than half a century since the Sanxingdui bronze archaeological largest excavation, is praised as "the twentieth century's most exciting archaeological discoveries". One pit is rectangular, small mouth large.
Bottom 4.01 m long, 2.8 meters wide, 1.46 ~ 1.64 m deep, unearthed Hang Hau on three sides, left, right three wide, 1 m of the tunnel, showing the symmetrical layout of the outward extension, suggesting that the pits and trenches were built at the same time. Pits were excavated more than 400 pieces of cultural relics.

mysterious chinese chinese bronze kingdom

Sanxingdui bronze sacred tree characteristics, geographic location are consistent with the "build wood contact with the sacred tree with a pit and a large number of representatives of the shaman, the gods of bronze statues, tree God tree is very likely the minds of the ancient Shu people communicate world, "beyond the bounds of the ladder" to connect to the people of God, God, the dragon tree, is probably the shaman on the world to the "horse (ji4)". There have been constant major new archaeological discoveries about the bronze sculpture .
Ancient popular kind of "celestial dome" of the ancients that the earth is a flat, the sky seems to curved lid, from the east to the west pole, ancient Chinese Oriental hibiscus, the Central was built of wood, the Western wood, three sacred tree coordinates, the constitutive plastic concept of a myth in the form of the universe. The study of the bronze sculpture greatly increases our understanding of the Shang culture. Therefore, the Sanxingdui bronze sacred tree is both a product of ancient sun worship, but also "beyond the bounds of the ladder" in the eyes of the ancients, but also on behalf of the cosmic tree of the ancient concept of the universe. Ⅱ number of Bronze Tree, residual high 2 m, the structure and No. God tree similar to the flared base of the symbol of Mount Kinabalu, the tripartite each cast have a platform, platform, kneeling seat Portrait, Portrait hand was hold grip-like, may show the shaman ritual mountain, the sacred tree, practice beyond the bounds of scenarios
. The trunk (gan4) sets of "bi-", more emphasis on the function of the Holy Tree "Babel". Branches also cast a lot of copper rings button may be used to fly and all kinds of bells, copper ornaments, the kind of brilliant and magnificent extent, we can scarcely imagine. In southwest China, the Han Dynasty tombs unearthed a lot of cash cow, on the shape and content with a deep history and relationship with the Sanxingdui bronze sacred tree, inherited the idea of the "Holy Tree" Babel speaks Sanxingdui bronzes. The bronze sculpture  also puts forward a severe challenge to the “Theory of Core Position of Central Plains Civilization”. Tree lamps unearthed elsewhere in China is also a manifestation of the idea of tree worship. The second pavilion Samsung Yongyao - Samsung Eternal Bright, mysterious chinese chinese bronze kingdom - the main exhibits of the mysterious Kingdom of bronze - Sequence Spread like "human-faced bird body. Its prototype from the top shape of the Sanxingdui bronzes unearthed copper tree branches.Legend the Fuso God tree grows in the East China Sea at the end of a man named "Tang Gu place ranking under the sticks a day living on the branches, ten suns in turn God on duty, there was a time, ten suns out of control, with went to heaven, that world the vegetation Kujiao, times of hardship, so there will be some "Hou Yi Shooting the" myths and legends. Wood sacred tree grows in the west, is where the sun goes down, the trees there are ten suns, Guanghua shine on the earth. In the myths and legends of China, the bird is a symbol of the sun, nine birds of the Sanxingdui bronze god tree is the performance of nine suns. In recent years, with the vigorous development of China’s archaeological career, more and more bronze sculpture are found. As for the top of the tree stump, whether a bird, we do not know, but can say for sure, the performance of the sacred tree of the Sanxingdui bronze bird worship, the worship of the sun, the tree can be said that China " 10 myth of "physical specimens.
 The sacred tree built of wood in the legend grew up in the "extension of wild places, it is precisely in the center of the heavens and the earth. Tree branches and leaves, flowers and fruit, as well as snakes and other animals, man of God called "public emperor of the world to this tree.

the crystallization of the wisdom of the Sanxingdui bronze dragon ancient industrious

Bronzes, there is still a 46 cm-long pattern. A picture of two people, wearing the hat of the zig-zag, crescent eyebrows, big eyes up to pick, a Long nose, a laughing mouth, two ears, wearing earrings. He does not like the monk, as we see in movies and television do you think?
Below the human head, a relative said the two groups of patterns, pattern, a long feather arrows in a large carp, the shaft of the middle, is a common Yufu birds like to fly in the look . Bronzes, these patterns seem to say: we are more powerful shot in a big carp, even our most admired Bird in fly over to congratulate us, showing us the power is not small! But this piece of pattern is what is meant is that the Sanxingdui bronzes ancient fishing hunting life? Or something else? Experts did not find out too! This pattern is the prominent representative of bronze sculpturedecorations.
Unfortunately, the root of Bronze Rod, but there should be Rod or how to hold in your hand? Rod What shape is it? Was said to be leading, it was also said Yufu bird's head, you guess what? Incomplete, as the Venus arm, left us the boundless imagination of space. Sanxingdui bronze root Bronze exactly what to do with it? Who took it? On the bronze sculpturewas the image of a specific animal. Archaeologists have found similar to the Sanxingdui bronze relics unearthed in China in the three or four years ago, and later only are elderly canes, crutches, with the Sanxingdui bronze with an era of ancient Egypt, Babylon found a lot of stick, those stick is king, Pharaoh, the Great Wizard, holding that their rights and status of the Sanxingdui bronze is a crutch, or the ancient Shu king's scepter it? It seems the purpose of this bronze is also confusing.
Sanxingdui bronzes, gold thousands of years ago the ancients produced a national treasure, is the crystallization of the wisdom of the Sanxingdui bronze dragon ancient industrious, whether he is what people do, what to do with, these are still very mysterious, mysterious bronze like Sanxingdui The bronze culture of the same left us a lot of unsolved mysteries, it is not only the pride of Sichuan, is the great pride of our nation. It meant there was no corresponding animal to the taotie appeared on the bronze sculpture.  Sanxingdui bronzes site is a national key cultural relics protection units, the Bronze Age ruins in southwest China's Sichuan the Guanghan South shangxingzhen. From excavations in 1980, named after the three towering in the Chengdu Plain yellow mound. In many cultural relics unearthed in Sanxingdui bronzes, six of the most valuable, namely, one gold, two jade, copper. Today I'm going to introduce, in six of the "middle of the greatest treasures the only one gold, which is the richest distinctive bronze. Gold has always been very valuable in modern society, our mother and aunt, like to wear gold jewelry, because gold jewelry is not only beautiful, but also a symbol of wealth. 3,000 years ago, gold is still very rare circumstances, the Sanxingdui bronzes ancients produced such extraordinary bronze, called an unparalleled masterpiece treasures. The bronze sculpturemainly reflected, after all, the dignity, strength and will of the dominators in the early slavery society. The bronzes length 142cm, diameter 2.3cm, weighing nearly a pound, up to 90 per cent of gold, with our modern gold shop to buy gold ornaments gold summoned up the courage.
 Bronze just unearthed inside the carbonized residue of wood, so the experts have speculated that this root Bronze package after the beat into Gympie gold bar made of stick. To do so much and so pure gold an item, I do not know its owner is so rich and authoritative ah! Although it is buried in the ground for thousands of years, but the thick loess cover always not gold with dazzling brilliance. In nature, the bronze sculpturewas distinct from the mysterious and strange geometric patterns on the pottery.

to promote research and development of a bronze sculpture of artistic language

The theme of the performance of the development is developed with the development of the times. The choice of subject matter according to the spiritual needs of today's people to tap. In particular, at the late Shang Dynasty, the beast-like patterns on the bronze sculpturehad developed into various group-based beast dermatoglyphic patterns. Diversity is the basic premise of the cultural patterns and healthy development of anti-fascist war bronze sculpture theme also reflects the principle of pluralism in the mining theme content to this theme is richer. Anti-Fascist War in the form of style should adhere to the form follows the content of the dialectical relationship. All forms of innovation and choice of style should be to better the performance of the anti-fascist war bronze sculpture theme as the fundamental basis. The widespread use of each style are the development of the formal style of language and rich.
The use of the new style does not mean the old style has been replaced or subversion, but for such a theme bronze eagle monument increase the possibility of a style of language performance. The bronze sculptures of domestic and international anti-fascist war theme on the means of expression provides us with an important reference. China’s Age of bronze sculpture came into being about two thousand years BC. To create space, to grasp the scale, grasp and use on the characteristics of sculpture in the round relief and the concept of the personal expression need to diversify the means of expression to expression. Journal of Chongqing University 6 Summary and Outlook Summary and Outlook 6.1 Anti-Fascist war bronze carving theme of the main achievements of the artistic language of World War six decades, countries around the world participating in the anti-fascist war created a lot of anti The bronze sculptures of the fascist war theme. With the development of the artistic language of the era and bronze sculpture, bronze sculptures of the anti-fascist war theme is also new.
These works are concentrated reflects generations of bronze sculpture home bronze sculpture for the anti-fascist war theme of the artistic language of the content, form, style and performance means of exploration and research. Made gratifying achievements in the artistic language research, the theme of language research and development in the promotion of anti-fascist war bronze sculpture, but also to promote research and development of a bronze sculpture of artistic language. In terms of subject, the anti-fascist war bronze sculpture explorations of human nature and the eternal topic of peace and war, human Discussion. The stages of the bronze sculpturelasted through the Spring and Autumn period, undergoing 15 centuries.  This theme will never be outdated, and in different age and social background, will lead people to think differently about. Therefore, the eternal subject of bronze sculpture theme of anti-fascist war artistic language bronze sculptures bronze sculpture instance. This unique Chongqing University Journal 5 historical and cultural position to explore the thinking of the provisional capital of the War against Japanese culture conditions Bronze Sculpture language provided a broad space for the excavation of the bronze sculpture theme. Bronze sculptures to the Chongqing war provisional capital of the cultural background to create the anti-fascist war theme to the combination of geographical features and Chongqing. Chongqing is a landscape of the city. The bronze dragon to be accessible to spirits and ghosts by the beast face and pray for the protection from them. Take full advantage of the geographical advantage of good mountains and water, good spatial arrangement of sculpture, especially the large bronze eagle. The geographical features of the landscape of the city also shaped Chongqing unique fortitude, perseverance and character of the landscape of urban culture.
Chongqing war provisional capital of culture is characterized by a multicultural system. Mining theme and direction can be worth a lot and need to continue the excavation and the discovery of new performance theme and performance point of view.

The dragon on the bronze dragon opens its mouth and upper lip volumes up

The relationship between the actual situation is a relative concept, the two complement each other. Mostly the patterns on the bronze sculptureare symmetrical arrangement and prevalent in late Shang and Western Zhou Dynasty. Ideological and practical by comparison. No virtual no real. In dealing with the relationship between the two is necessary to link together, can really deal with the relationship to the actual situation appropriate. As a means of Memorial sculptures handling the actual situation the relationship is engraved sculpture in the round, relief, and line phase used in combination.
The sculpture in the round gives a strong physical sense of space, belongs to the most real part, relatively speaking, the relief and line engraved significantly in physical space is relatively weak, to combine the two, will be able to deal with the relationship to the actual situation. The body of Juanlong wen (coiled dragon) on the bronze sculptureoften designed curling up with nose to tail or spiral-lik. "To Bombard art sculptures" the handling of the advantages of this actual situation. In each part of the junction and the climax of carvings are highlighted, another bas-relief made of some of the virtual image and texture than the back of some local people feel the extension of the space. Processing in a smaller space, through the relationship of the actual situation, people feel the deepening of the space. Handling, such as commemorative sculptures of light and shadow, composition, density, etc. can be used as a means of dealing with virtual and real space.
And the same principle as the painting, bronze sculpture also pay attention to the handling of light and shadow. Near real part of the light and shade heavier. The bronze sculpture of handling will have to pay attention to the backlight surface inclination. By light impact as little more light and shadow is more concentrated. And vice versa, the more light, but also the more virtual. The handling of relief at the same level to deal with the actual situation relations into Chongqing University Academy of Anti-Fascist War theme to commemorate the sculptures of artistic language. It is decorated in the center of thebronze sculpture.  Dynamic Memorial statues and dynamic addition to the narrow interpretation of the character dynamic bronze sculpture, but also to commemorate the sculptures as a whole constitute the understanding of the momentum dynamic.
 The overall composition of the dynamic is one we can see, constitute an important factor in Memorial statues and the overall momentum, so more important than the specific character of the dynamic significantly. "Iwo Jima Memorial sculptures" to its overall composition of the accurate expression of the dynamic momentum moving works. From the Yin Dynasty to the period of Warring States, this kind of patterns is common on the bronze sculpture. The composition of the whole works into a triangle. Of clever use of the composition of this basic triangle-shaped. Six people-oriented agreed to face the flagpole side, so that visitors visual shift to the bottom of the flagpole, so that visitors feel the moment the banner of victory was about to be plugged in, the people back to that fierce battle .  During the aesthetic, the aesthetic object there is always a visual center of gravity, density relationship is to reflect the requirements of the visual center of gravity space approach. In addition, the space density relationship can also be used to express emotion. "The Bombard art sculptures" will use the space density of this feature. The dragon on the bronze dragon opens its mouth and upper lip volumes up, down or lower to the mouth. In the first part of the air raid sirens, people turn to enter the air-raid shelter, and the atmosphere is relatively easy, so the spacing between the characters is moderate. In the second, third part, the expression is the process before the massacre, the atmosphere gradually the tension density relationship also with the changes in the atmosphere gradually changes. Especially to the last part, between people there is no gap, this approach feel suffocated once again let the audience feel the tragic extent of this tragedy. The actual situation of the actual situation the relationship is also an important embodiment of the spatial relationships.

The structure of dragon patterns on the bronze sculpture

The atmosphere gradually became tense. Part III: Life and Death Tunnel, mutual relief. Although it is a tragedy but in the artistic expression, but the performance side of human nature glory. Part IV: the door of life and death, the tragedy occurred. Bombard art sculptures "(Figure 3.4) is for reference use of the episodic nature cavalier perspective, such as painting, the work is divided into several parts, these parts of the plot is an interconnected complete the process. Move through the vision of the audience, to meet the requirements of plot time art that can be achieved. According to the structure of dragon patterns on the bronze sculpture, they can be split into crawling dragon, rolled-up dragon. The cavalier perspective in painting as well. When it comes to depicting the Yangtze River chart can not be done in a perspective that conditions in centers, which need to move the point of view, so you can smoothly achieve the depiction of scenes of This is pieces of statues and works of several point of view of the mobile is a continuous whole.
 Work, "the Chinese people's War of Resistance Against Japan to commemorate the sculptures (Figure 3.3) N-sample use of the advantages of the statues and art performance plot. Just this plot of the performance and the the Bombard art sculptures in the form of expression there are some differences. Bombard art sculptures in two full pages of line of sight move through the audience. Interrelated between the plot is a natural convergence. Second Sino-Japanese War Memorial sculptures are the work is divided into four parts 38 and 2 meters in diameter and 4.3 m high bronze cylindrical bronze sculpture, bronze sculpture performance of the War of Resistance Against Japanese Aggression. See the Editorial Committee of the Ci Hai "Ci Hai" Shanghai Dictionary Publishing the first edition in August 2002, 2813, Chongqing University Academy of Anti-Fascist War theme Memorial statues and the main artistic language. Founder form of works in the square arrangement. Jiaolong design, two-head dragon and binary-body pattern and others are variations of dragon designs on the bronze sculpture.
 When the audience into them during a visit to see is a fragment, when the audience in mind will fragment into a complete image to form a complete plot. This is the principle of the film, made by the fragments of a combination. of the monumental sculptures of space language in the space language in the sculptures, in addition to the sculpture in the round and relief sculptures of the three-dimensional morphology of the surface morphology differences, should also be noted that the bronze sculpture body in space density, the actual situation and dynamic and other relations. Accurate grasp of these spaces shape factors is an important condition to do a successful sculptures works. Crawling dragon on the bronze sculpture was usually designed its side-view acting as crawl.  The density is very important sculptures by a number of characters, so to arrange the relationship between good character. Density relationship started doing sculptures should take into account the No density relationship between the characters arrangements do not meet the aesthetic habits.Art sculptures can take advantage of the continuity of their own physical changes to achieve the purpose of the performance plot. Relative to the anti-fascist such historical themes, the plot of the performance can be an important historical event was to show a complete process. Like the epic plot of performance. Bombard art sculptures is a group of sculpture in the round, high relief, bas-relief and line engraved with a combination of art sculptures. Rolled dragon or three-dimensional image appeared much often on the bronze sculpture.  At the same time, this group of sculptures show the whole process of a major tunnel tragedy. The works of the epic plot narrative is divided into four parts: Part I: air raid sirens, this paragraph sculptures work showing a strong flavor of life. Although the refuge, but did not see people panic. Performance of the Chongqing People's indomitable, optimistic attitude towards life. Part II: Life and Death Tunnel, began to feel discomfort.

to receive the chinese bronze to convey the emotion

 Europe and the United States in the anti-fascist war monument of bronze sculpture theme to create less political declaration and the instigating factor. is to explore war and peace, humanity and care and other issues. manifested more to commemorate, reflect, mourn, repent, and the theme of such creative ideas, reflecting a monument as the public nature of the memorial and the advantages of humane considerations. and the Soviet model Monument space to create different methods, bronze eagle monument of anti-fascist war in Europe and America theme is not the blind pursuit of a high degree the grand, but pay attention to spatial relationships to create the monument built an enclosed space. The bronze sculpturebears glyphs that form the first significant corpus of recorded Chinese characters. If the Soviet model to create a monument with space expansionary open space, then the monument to create a model of Europe and the United States is an enclosed space.
To use this space to create a model, make bronze sculpture Monument to the formation of a spirit of "field" the clever use of "place" the spirit of is an important feature of the language of anti-fascist war in Europe and America bronze sculpture theme Monument space. the spirit of the "establishment" refers to the scope of the bronze sculpture of visual space. previous paper already mentioned, the bronze sculpture of space at the physical space and negative space In addition, there is the idea of space, the spirit of "place" that is the result of work by the idea of space. this spirit that space can make to receive the chinese bronze to convey the emotion. Anyhow, the marking of more sacred items are bore on some of the most utilitarianbronze sculpture. Bronze eagle monument of the Soviet model also has this "place" spirit, but it is open, as long as the human visual perception to it, can appreciate the spiritual content of the works expressed by comparison.
 The European and American models of the monument to create more attention to the enclosed space, the use of language when standing work is not able to understand the true intentions of the creators, and only when visitors come to work, go to the creator of the pre-set the spirit of place in a good Figure. World War I monument Fi92.4The world wide war two, can truly appreciate the essence of the work: i dispatch clamor: chips uncle and turbulent; harm 'God connotation viewpoint to the center of the square to appreciate piecescorn, work, and the first to feel the Memorial Plaza male 10 copper bronze sculpture Chongqing University Journal bronze eagle monument of two anti-fascist war theme art language Wei momentum, which gives power to move, people and work closer the work itself does not require too much body mass and height will be able to achieve such results. The Chinese inscribed all kinds of bronze sculpture with three main motif types.
This space to create a way to use, you can save the footprint of the bronze eagle monument. For example, in cities all around modern skyscrapers. bronze sculpture monument large-scale height reflect the advantages of work, you can use this space to create this space to create the model reflects the reflection of the anti-fascist war. Demons, symbolic animals, and abstract symbols are the main themes of the bronze sculpture.  In addition to the clever use of "place" the spirit of anti-fascist Europe and the United States bronze sculpture of war theme Monument space language there is an important feature is the use of sinking Square or underground memorial to the use of this space approach also reflects the European and American bronze sculpture monument to pay attention to create a "place" in the spirit of the sunken plaza Square opened up more space, easier and people close to the Monument Square, which reflects the important memorial and the public of Europe and the United States.

to achieve the bronze eagle monument

Chongqing University in September 1989 the Soviet model carved monument space to create features great attention to the momentum scale of the monument. Grand momentum rely on three areas: rely on the monument there is a certain height. rely on the proportion of the comprehensive body of Monument Monument body and the surrounding environment. Depend on the sense of Monument Monument body shape of the building to achieve. Rong Geng has written a book about the bronze sculpture. The anti-fascist war of the Soviet Union to create a monument of bronze sculpture theme generally have a certain height. A high degree of large-scale to enhance the momentum of the magnificent bronze eagle monument. This height is achieved by two to The one hand, the height of the bronze eagle monument monument body. And this height to create an increase in time. Monument such as Volgograd "motherland - mothers (Figure 2.1) 101 m, Brest Brest fortress monument 100 meters high, the world's highest bronze eagle (Sweden a The fairy tale theme of bronze carved 102 m is slightly lower - more like fifty meters above the bronze eagle monument more.
 The bronze eagle monument height of the other strategy is the bronze eagle monument building address selection. Soviet anti-fascist war bronze carved theme Monument generally have chosen to up the construction of the highlands, such as hillsides and high mound. The eighth chapter called “value” extracts the prices of the bronze sculptureof China since the Song Dynasty. ink mode of operating stem build the best angle of the observed anti-fascist war bronze sculpture subject matter discipline Fig.2.2 The sketch the map ofthe Soviets the mode sweep in. degree of safety! Guangdong cents to cloak. Lan calculation, Bronze sculpture Chi malaccensis polite summer the Jue mother the scu pro the lp "tu century re read to monument p1C show the actual height of the S. Italian monument is a monument to the height plus the Highlands and the best observation point distance (on the right) "Goddess of Victory" monument in Moscow signaled addition to the height of the large-scale bronze eagle monument, this great momentum also rely on the surrounding environment is complex in proportion to the prominent monument of the great Soviet monument.
 Creation consciously choose the open space, while the height of the height around the memorial complex and Monument pulled out a great distance, give the impression that the monument taller. this proportion to achieve the bronze eagle monument and its surrounding environment space sequence to indicate the entire anti-fascist war. Strictly speaking, what he mentioned no more than the temporary prices of bronze sculpturerather than value or worth. Figure 3 European and American models bronze sculpture theme Monument Fig? 2? The sketch map ofthe Europe and amorica (left), U.S. World War II Memorial Dance 'ear (on the right), "Berlin Holocaust memorial" to indicate. see Cheng Kun, World bronze sculpture The Complete Works of Western part of the next volume, Henan Art Publishing House, September 1989 the first edition of 364 copper bronze Chongqing University Academy of Anti-Fascist War theme bronze eagle monument artistic language body to create and layout.
 Dealt with the bronze eagle monument building sense to talk about from the methodological point of view of the shape of chinese bronze and architecture modeling methods for the realization of the functionality of the building, architectural modeling needs to be summarized into some of the basic shape of modeling. Some direct information about the Shang Dynasty comes from inscriptions on the bronze sculptureof Shang-era.  draw on a large bronze sculpture of the monument shape of this building modeling method. Monument bronze sculpture of the space shape in the form as simple as possible the basic shape. dispense with superfluous detail, as far as possible, with long lines and straight lines. work looks more concise. more concise form more embodies the bronze eagle monument grandeur European and American models (Figure 2.3) and the Soviet model.

It is often decorated on the mouth or feet of the bronze sculpture

The works of "Flying Tiger divinity performance is Claire Chennault, who has to defend Chongqing during the War of Resistance Against Japanese Aggression in China have contributed to the U.S. 14th Air Force commander. He formed the "Flying Tigers" China's War of Resistance to transmission of strategic materials, with the Japanese Air Force operations, strong support of the Chinese War of Resistance. Made a significant contribution back to the victory of the world war against Fascism. This works exactly the way of realism to the performance of the generals who contributed to the Chinese war of resistance. It is often decorated on the mouth or feet of the bronze sculpture. Figure 4.4 of the 019 works of Guangdong Xiaoyang and Xiao Jin China, Chongqing, Zhan Yang: raid "a Chinese generals" is also a realist approach, gas, and retained the body of the work surface, forming a unique visual arts .
The ultimate effect of the work made imitation of the effect of iron, with a sense of history. The vend soup Hao Xu tube lizard Cambodian Association Code of "peaceful complex performance of the style of the Chinese anti-Japanese General. Work practices Source: China Artists Association Code "peace, prosperity sulfone is the J A Chang L mouth the bamboo cattle HY ‖ the Ⅶ wood o '" F mouth 10 r right wing bronze sculpture tour big is issued Portfolio 4. 2.3 the performance of the works of war-the disastrous anti-fascist war can make people a profound bearing in mind that because it is catastrophic to humans. Remember history in order to let this disastrous not happen again. The pattern of elephant is also common on the bronze sculpture.  Having said that, but the performance of such subject matter merely as a disaster to a narrow interpretation.
Disastrous revelations in order to warn us that the disaster does not recur, another example of advocating the idea of peace. 006 005 this tour work, "raid" (Figure 4.4) works unyielding people - to commemorate the Nanjing Massacre "and 023 works of" pain thinking "are the performance of the theme of disaster. Chongqing bronze sculpture home Zhan Ocean 005 for 2005 - delete j wish limonene, 4? China, Chongqing, choose Lu Guo Zeng China (in this article for Fi2? 4-5 2005-neacefulwish? Basic information see 'today Chongqing 2005 3 78 paragraph 1 of Chongqing University Master's degree thesis of anti-French Sri Lankan war theme rack chinese bronze language analysis of the products "air raid" performance is the damage caused by the fascists on the civilian population and work performance is a mothers in one hand and holding a child in one hand and protect the child, at the foot run, and looked up at the sky plane. This pattern on the bronze sculpturedisplays like an elephant with obvious feature of long trunk.The quality of their spirit is the same need to express an important part of the theme of the anti-fascist war. It is because of their efforts and sacrifices will have peace today. Bearing in mind that these heroes and their deeds, mining an important aspect of the cultural connotations of anti-fascist war theme. The performance of these themes is a realistic portrait bronze sculpture based. The creators of this subject in Figure 4.3 China, Guangdong, Xiaoyang clamor: 3A in Man chiIl oath. Silkworm pattern of the bronze sculptureis usually round head, protruding eyes and buckling body.  Source: Chinese Artists' Association Code "Die larvae, master seven the prosperity bronze sculpture tour Gaozuo Chongqing University Dissertation anti-fascist war theme rack bronze sculpture art linguistic analysis for the scale does not require too much work generally, so is suitable for use shelves bronze sculpture in the form of performance. In this exhibition, the number 015 works "Tiger divinity" (Figure 4.2) and No. 019 works a generals "(Figure 4.3) is a performance of the hero's portrait.

The bronze sculpture exhibits, creative style, the way different

This pattern is often decorated on the mouth edge of fang yi or fang ding, a sort of wine bronze sculpture. The hero or the victim of the world have entered old age. Future generations will gradually forget this history, or other ways to commemorate.
To this end, the Chinese Artists Association held a "peace, prosperity," bronze sculpture tour to promote "Bearing in mind the history, cherish peace" concept, but also to promote research and development of the art of bronze sculpture bronze sculpture theme of anti-fascist war shelves. The exhibition collection of over 130 works across the country, and has exhibited in seven cities of Changchun, Nanjing, Zhengzhou, Chongqing, Xiamen, Shanghai, Beijing. Fully demonstrate the research and creative achievements in recent years, domestic bronze sculpture home rack sculpture works of art for the anti-fascist war theme. Chi, a hornless dragon design on the bronze sculpture, shapes like Kui with open mouth and rolled-up tail.
The bronze sculpture exhibits, creative style, the way different, embodies the characteristics of anti-fascist war bronze sculpture theme rack bronze sculpture of artistic creation and the latest developments and research status. Figure 4.1, Hunan, Sun Quan: alliance Fig. 4.1 Allies is. Star carry Ka sheath Wei the plug Yin Artists Association Code 'peace, prosperity bronze eagle patrol, K ^ mouth ml of the anti-fascist war of choice of 4.2-performance content rich history as the creation of bronze sculpture provides a variety of performance of the content. War and Chongqing University Master anti-fascist war of the Seven dissertation theme rack Bronze Sculpture language analysis level is the eternal theme. The bronze eagle family can fully tap history, from a different side to express this theme. Some forms are four consecutive patterns and always applied as major design of the bronze sculpture.
In order to enrich the subject matter of the bronze sculpture performance. To sum up the main theme of the following aspects: 4.2.1 the performance of key events in history, works of anti-fascist war is the world's major events, the occurrence of major events and historical turning point in this process. After the war, these events become the source of the subject matter of artistic expression. Besides, Chi on the bronze sculpture implies beautiful and auspicious life and refers to the affection between men and women at the same time.  The Hunan bronze eagle Sun Quan creation 025 bronze sculptures "alliance" (Figure 4.1) the performance of the portrait sculptures of Big Three Allies. The works of the creation of realism, select the Allied leaders Franklin Roosevelt, Churchill and Stalin, the typical image and representation of dynamic and costumes. Roosevelt is seated, a windbreaker. This seated and dress in a lot of historical pictures inside the upper-case "v" shaped, representing the victory of the classic action of his victory in World War II, many of the media are to be reported. Stalin to take a large pipe, the dress can also show he gave people the impression.
The whole piece a lifelike and realistic approach to creative image derived from historical data, but have their own ideas. The works of montage, the most important features of each character shown to give the visitors a profound impression. Thus this bronze sculptureis a symbol of good relationship between male and female. This creative approach is anti-fascist war bronze sculpture theme of the performance of the major historical events or characters commonly used method. Able to the most exciting moment to hold together, showing a unique expression of the bronze sculpture language. Wang Lan of China, Guangdong, Gaumont: Tiger in Fig. 4.2theheroofflytiger have reflected. Churchill right hand ring finger and middle finger do the work of the stretch the Ru deaf gas Ru Huan Huan Lei Tribulus terrestris passage of niche hyperphagic set Performance war hero in the anti-fascist war, many heroes of the spirit of a peaceful world. The pursuit made its own efforts and even sacrifice.  Monument bronze eagle, the less creative shelves bronze sculpture by the objective conditions of the shackles of more performance out of the space of creative freedom. Generations of young bronze sculpture home, this theme to the wisdom of their youth and Language Studies keen interest in bronze sculpture and continues to drive innovation and development. 2005 is the sixtieth anniversary of the victory over fascism in the world, all over the country and the world in carrying out a variety of activities. "60th anniversary commemoration is very important and special, because this may be the last commemoration of the participation by the parties and witnessed witness.

The magnification in the upper part of the bronze sculpture

The psychological scale factor due to the physical scale is just an objective reality, truly reflect the psychological scale is the same in our consciousness plays an important role. In such serious and mysterious atmosphere, the Bronze Sculpture sends can produce a sense of awe and shock. Because our visual perception of the body can not be purely objective. Always have to go through the integration of visual mental reflected. In this process, adding my past visual experience. The most important factors affecting the psychological scale are the following aspects: One of the factors affecting the psychological scale perspective. Objective things always have reaction to the visual perspective principle. Near the far smaller, is the most simple description of the perspective principle.
But indeed in the specific use is not so simple. This is also one of the reasons causing the visual bias of the large bronze eagle monument. This Bronze Sculpture has religious meaning of obedience. Large bronze sculpture in the scale height, so the perspective principle, reflected in the visual image of the visual experience and see in a small manuscript is not the same, even if it is in full accordance with the proportional amplification. This visual experience is also reflected in the viewing distance of the viewer. When from a distance, twice bronze sculpture distance observation and doubled bronze sculpture distance observed this visual bias will have different changes. This visual bias effect method first selected the best viewing distance and height, in order to measure the proportion of bronze sculpture to enlarge the magnification in the upper part of the bronze sculpture, slightly larger. Then select the appropriate adjustments to the rest of the viewing angle bronze sculpture oriented. So you can adjust the perspective zoom after. See the Xi static "Russian Soviet art history."
Tianjin People's Fine Arts Publishing House in January 2000 port Si 2,6 trapezoidal schematic Fi92.6 Trapezoid the map. sketch 13 Chongqing University Journal bronze sculpture of two anti-fascist war theme Monument artistic language part of the deviation.In May 1995, coincided with the occasion of the 50th anniversary of the victory over fascism, the Moscow People's ushered in a new anti-fascist war Jinian Sheng to Victory Square Victory Monument. (Figure 2.5) Victory Square covers an area of 135 hectares. History of more than 20 years to complete. The whole square was built in a triangular base address on the ground. Goddess of Victory Monument is 141.8 meters high, symbolizing the days and nights of fighting in the Great Patriotic War of 1418. The images on the Bronze Sculpture are the expression of a primitive force. The majestic bronze sculpture and landscape art of the square momentum, reflecting the typical characteristics of the Russian monument to create. This momentum is by two to achieve. The one hand, covers an area of 135 hectares, on the other hand is the monument height of 141.8 meters. These two sets of data to determine the magnificent momentum of the square.
And the Soviet Union, Europe and the United States in the physical scale of the Bronze Statue eagle monument on the anti-fascist war theme to create a high degree of do special requests, but requires the construction of the area makes participatory space.

Taotie is a Chinese mythical creature appeared mostly on the Bronze Sculpture

Taotie was one of the most popular motifs for the Bronze Sculpture during that time. Geographical location and the overall culture to infect every visitor. Place to allow people with a strong cultural atmosphere in such a practical experience of the disaster brought about by the war and for the introspection of the war, should learn a lesson from history and prevent this disaster from happening again.
 Here, to create a landscape sequence space of this work has already been extended to become very broad. The language of spatial scales and space scales of the anti-fascist war themes bronze eagle monument like such a large Chinese Bronze eagle bronze eagle monument to create is very important. Taotie on the Bronze Sculpture of China usually gazes closely with giant eyes. Appropriate spatial scale bronze sculpture monument work can make people feel comfortable, be able to accurately convey the author's creative intent. Scale of anti-fascist war theme bronze eagle monument including the physical scale of psychological scales. The physical scale refers to the sculpture Monument to achieve the actual height or width. Scale real sense, and measurement tools to quantify. Psychological scale is surrounded by invisible spatial scales of bronze sculpture around the monument. This scale is to rely on our feelings to feel, and can not be precise quantification.
The two complement each other and together form a good visual effect of the bronze eagle monument. physical scale, showing the scale of physical and psychological scales are complementary relationship. This relationship is the relationship between the principle of the matter and consciousness. With the existence of the physical space, psychological scales will reflect the person's vision. Taotie is a Chinese mythical creature appeared mostly on the Bronze Sculpture , said to have only head and no body. The major historical themes of the anti-fascist war bronze eagle monument design requirements to have a certain size, so can very well reflected in this topic. Have certain requirements in the presentation of the physical scale. To grasp the scale of the bronze eagle monument, the Soviet Union and Europe Figure 2.5 Russian victory J Victory America also has its own different characteristics. East rely on the ease of the Washington Monument from the hillside west of the reflective pond leading to the Lincoln Memorial, on both sides of the country boulevard. Throughout the Memorial Plaza in deep with peace, with both sides of the boulevard, front and rear of the Washington Monument, Lincoln Memorial is extremely harmonious blend. About World War II Memorial Vietnam Veterans Memorial and the Korean War Memorial. These three together form a triangle, and World War II monument belongs to the vertex of the triangle. Such a location choice is quite elaborate. It reflects the American people pay tribute to the heroes of World War II and the desire for peace.